춤곡으로 구성된 J.S.바흐의 모음곡 연구
A Study of J.S.Bach's Suites As Dance Music
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Music, in its rhythm, is one of the most essential factors in dancing performance. It controls the performance on the whole - leading dancers, changing or keeping moods, etc.. J.S.Bach(1685-1750)'s "Suites" fit to any kinds of dancing performances. They consist of various kinds of dance music with clear rhythms and also contain the aristocratic quality of what Baroque era has. So it is very useful for dancers to know and study about his "Suites" for their dancing composition. The purpose of this study is analysis of J.S.Bach's "Suites". The answers about following questions are neatly charted. 1. What musical instruments are used for?2. What are the musical styles of each movements?3. What are the musical forms and details, for example, tempo, meter, etc... After the analysis, it is determined that Bach’s works has a lot of musical suites like the keyboard, lute, violin, violin with clavier, violoncello, flute and the orchestra. Some of these are bound up by volume such as the English Suite, French Suite, Partita, Violin Partita, Cello Suite and the Orchestral Suite. The Suites are made up essentially of four often interrelated dances in the same key: 'Allemande', 'Courante', 'Sarabande', and 'Gigue'. To this scheme an opening prelude and one or more optional dances were often added. Each movement has their intrinsic tempo and meter except 'Prelude' which is not a movement for dance. 'Allemande' has a common tempo in duple meter, 'Courante' has a little fast in triple meter, 'Sarabande' is very slow in triple, 'Gigue' is very fast in compound meter. 'Prelude' shows the greatest diversity in tempo and meter. Most of movements follow the 'binary form' and 'composite ternary form'. In conclusion, Bach's Suites are very effective at creating dance. The outcome of this study may be used as a reference to select music to dancers.
Abstract
Music, in its rhythm, is one of the most essential factors in dancing performance. It controls the performance on the whole - leading dancers, changing or keeping moods, etc.. J.S.Bach(1685-1750)'s "Suites" fit to any kinds of dancing performances. They consist of various kinds of dance music with clear rhythms and also contain the aristocratic quality of what Baroque era has. So it is very useful for dancers to know and study about his "Suites" for their dancing composition. The purpose of this study is analysis of J.S.Bach's "Suites". The answers about following questions are neatly charted. 1. What musical instruments are used for?2. What are the musical styles of each movements?3. What are the musical forms and details, for example, tempo, meter, etc... After the analysis, it is determined that Bach’s works has a lot of musical suites like the keyboard, lute, violin, violin with clavier, violoncello, flute and the orchestra. Some of these are bound up by volume such as the English Suite, French Suite, Partita, Violin Partita, Cello Suite and the Orchestral Suite. The Suites are made up essentially of four often interrelated dances in the same key: 'Allemande', 'Courante', 'Sarabande', and 'Gigue'. To this scheme an opening prelude and one or more optional dances were often added. Each movement has their intrinsic tempo and meter except 'Prelude' which is not a movement for dance. 'Allemande' has a common tempo in duple meter, 'Courante' has a little fast in triple meter, 'Sarabande' is very slow in triple, 'Gigue' is very fast in compound meter. 'Prelude' shows the greatest diversity in tempo and meter. Most of movements follow the 'binary form' and 'composite ternary form'. In conclusion, Bach's Suites are very effective at creating dance. The outcome of this study may be used as a reference to select music to dancers.
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