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'춤-음악'으로서의 사라방드: 기원, 역사, 양식

The Origin, History, and Style of the 'Practical' Saraband

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주제분류음악학

초록

The present paper focuses on the origin, history, and style of practical Saraband from the late 16th to the early 18th centuries. It distinguishes the practical Saraband from the musical Saraband which does not intend to accompany real dances. Practical Saraband has a vague origin and dramatic history. It started as a lascivious dance either from New World or Iberian Peninsula. However, it became one of the most sincere and slow dances in the Louis XIV's court. The paper traces this change and considers some critical questions which arise from the study.

Abstract

The present paper focuses on the origin, history, and style of practical Saraband from the late 16th to the early 18th centuries. It distinguishes the practical Saraband from the musical Saraband which does not intend to accompany real dances. Practical Saraband has a vague origin and dramatic history. It started as a lascivious dance either from New World or Iberian Peninsula. However, it became one of the most sincere and slow dances in the Louis XIV's court. The paper traces this change and considers some critical questions which arise from the study.

참고문헌 (13)

  1. 정경영, "춤과 음악의 간극: 루이 14세 시기의 미뉴엣을 중심으로", 서양음악학, 10(3), pp.97~126 (2007), 한국서양음악학회
  2. Einstein, Alfred, "The Italian Madrigal" (1949), Princeton University Press
  3. Esses, Maurice, "Dance and Instrumental Differencias in Spain during the 17th and Early 18th Centuries" (1992), Pendragon Press
  4. Hill, John Walter, "Anthology of Baroque Music" (2005), W.W. Norton & Company
  5. Hilton, Wendy, "Dance of Court and Theater: The French Noble Style 1690-1725" (1981), Princeton Book Company
  6. Little, Meredith, "Dance and the Music of J. S. Bach" (1991), Oxford University Press
  7. Little, Meredith, "Dance under Louis XIV and XV: Some Implications for the Musician", Early Music, 3(4), pp.331~340 (1975)
  8. Mather, Betty Bang, "Dance Rhythms of the French Baroque: A Handbook for Performance" (1987), Indiana University Press
  9. Pierce, Ken, "Dance Notation Systems in Late 17th-Century France", Early Music, 26(2), pp.286~299 (1998)
  10. Rameau, Pierre, "Le Maître a Danser"
  11. Rnum, Patricia, "Audible Rhetoric and Mute Rhetoric: the 17th-century French Sarabande", Early Music, 14(1), pp.20~39 (1986)
  12. Robert Steven, "The First Dated Mention of the Sarabande", Journal of American Musicological Society, 5 (1952)
  13. Tomlinson, Kellom, "The Art of Dancing Explained by Reading and Figures: Whereby the Manner of Performing the Steps is Made Easy by a New and Familiar Method", pp.1744~ (1970), Dance Horizons

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