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무용의 표현성 연구-욕망의 주체성을 중심으로-

Study on the expressional characteristics of dance creation-based on subjectivity of desire-

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This study aimed to suggest the self expressions on the subject's inner world by exploring the expressional characteristics of dance creation expressing the unconscious world which is buried in the human's subconsciousness beyond the consciousness on the basis of Jacques Lacan's Desire Theory. Art can subline the theory esthetically, and especially the dance art is a passage connecting the consciousness and the unconsciousness, so can form the sympathy toward potential desires through their specific visualization. As one way for establishing the identity, Lacan's theory provides a clue to find a positive union point about the subject of desires. Also, the understanding and interpretation about Lacan's theory showing the human's inner essence can be considered as the function as a slice showing the cycle of potential desires buried in the unconsciousness. Therefore, as the expressional characteristics of dance creation of this study suggest, metonymy through repetition is a cause and result simultaneously which leads a work. For this study accepted the Imaginary, the Symbolic, and the Real among mental territories in Lacan's theory in order to describe the process forming the desire's subject. After exploring the factors of subject formation appeared in the process, and then this study arranged the characteristics found in each stage into the misconception, the difference and the deviation, which were set as the foundation for analyzing the expressional characteristics of dance creation. So, this study suggested the expressional characteristics of dance creation from a creative aspect that understands the desires as human's essence and that the desires can purify and sublime desires themselves. And this study puts its meaning in that it highlighted a positive viewpoint seeing the desire as a productive thing that enriches individual's mental life. As a natural meeting between internal self and external self, the art creation provides chances to discover true appearances of each other. Especially, it can be considered the dance art contributes to transferring and integrating the human's unconsciousness area to the consciousness area. Therefore the author of this study thinks that the dance art should contribute for modern people to free from their inside, pressured and distorted self by continually seeking for new expression methods of subject. Further, the author suggests that creative approaches for created dance works and continual trials for relevant studies should obtain good results.

Abstract

This study aimed to suggest the self expressions on the subject's inner world by exploring the expressional characteristics of dance creation expressing the unconscious world which is buried in the human's subconsciousness beyond the consciousness on the basis of Jacques Lacan's Desire Theory. Art can subline the theory esthetically, and especially the dance art is a passage connecting the consciousness and the unconsciousness, so can form the sympathy toward potential desires through their specific visualization. As one way for establishing the identity, Lacan's theory provides a clue to find a positive union point about the subject of desires. Also, the understanding and interpretation about Lacan's theory showing the human's inner essence can be considered as the function as a slice showing the cycle of potential desires buried in the unconsciousness. Therefore, as the expressional characteristics of dance creation of this study suggest, metonymy through repetition is a cause and result simultaneously which leads a work. For this study accepted the Imaginary, the Symbolic, and the Real among mental territories in Lacan's theory in order to describe the process forming the desire's subject. After exploring the factors of subject formation appeared in the process, and then this study arranged the characteristics found in each stage into the misconception, the difference and the deviation, which were set as the foundation for analyzing the expressional characteristics of dance creation. So, this study suggested the expressional characteristics of dance creation from a creative aspect that understands the desires as human's essence and that the desires can purify and sublime desires themselves. And this study puts its meaning in that it highlighted a positive viewpoint seeing the desire as a productive thing that enriches individual's mental life. As a natural meeting between internal self and external self, the art creation provides chances to discover true appearances of each other. Especially, it can be considered the dance art contributes to transferring and integrating the human's unconsciousness area to the consciousness area. Therefore the author of this study thinks that the dance art should contribute for modern people to free from their inside, pressured and distorted self by continually seeking for new expression methods of subject. Further, the author suggests that creative approaches for created dance works and continual trials for relevant studies should obtain good results.

참고문헌 (9)

  1. 김석, "에크리 : 라캉으로 이르는 마법의 문자들" (2007), 살림출판사
  2. 김혜숙, "포스트모더니즘과 철학 : 탈주체, 탈형이상학에 대한 이해와 반성" (1995), 이화여대출판부
  3. 라깡과 현대정신분석학회, "코리안 이마고2" (1998), 인간사랑
  4. 송승철, "주체론, 반주체론, 문학이론의 상호관계" (1999), 실천문학사
  5. 이병창, "라카에게서 죽음의 충동의 개념", 시대와 철학, 18(3), pp.247~280 (2007), 한국철학사상연구회
  6. 임진수, "네 가지 담화" (2010), 파워북
  7. 임진수, "상징계-실재계-상상계" (2012), 파워북
  8. Evans, D., "라캉정신분석사전" (1998), 인간사랑
  9. Homer, S., "라캉읽기" (2006), 은행나무

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