문헌설화의 강간 모티프 연구

Abstract

This article aims to identify the characteristics of the rape motifs appeared in the written tales and clarify the narrative perspective in it. Written tales is classified into five types depending on the identity of subject and object of rape. And its features also appear differently accordingly. In the narrative describing the rape done by the men of the higher classes, the power of male and female is appeared. In it done by the men of comparable status, the atmosphere of humor and seriousness coexist. In it done by the men of the lower classes, the identity discrimination idea has revealed. And in it done by the men of the foreign, the exclusivity is entered. In it done by the being in the outside world, the amazing feeling for the wonderful experience has entered. The rape is done primarily to meet the sexual desire in the written tales. In the narrative of the humorous atmosphere, women are targeted by sexual being teased stuff of male. In contrast, in the narrative of a serious atmosphere, the female had an ideological fidelity and she recognizes it as being sure to keep. The atmosphere of the narrative is not independent of the social flow of the Joseon Dynasty. From the rape motif, we can find that the sex even can be the material of humor at first half of Joseon Dynasty. At late Joseon, depending on the patriarchal ideology have strengthened, the women had become a target of ideology. It is reflected in the contemporary atmosphere of the narrative.