일본 오가타가尾形家 소장 姜希顏의 墨竹圖 模寫本에 대한 연구

Abstract

The Ogata family is an official painter group served for the Hukuoka han in the present Kushu area during the Edo period. The family inherited 4700 pieces of painting materials to this day. The collection includes an ink bamboo painting inscribed with poetry that is also enlisted in the Revised Version of the Record of Old painting ,“Records on the painting and callifgraphy of Koryo and Joseon Dynasty”. This study compares and analyzes the poetry written on the bamboo painting and the records in“Records on the painting and callifgraphy of Koryo and Joseon Dynasty”. The founder of the Edo Kano school, Kano Tanyu was an appraiser and a painter. He invented an artistic convention of making small copies of important paintings and used them as painting manuals. Paintings of China, Japan, and Korea that Kano Tanyu had recorded were descended upon painters of the Kano school, influencing them significantly. Since the Ogata family belonged to the Edo Kano school, they followed the tradition and teachings of the Kano school. Therefore, painting materials kept by the Ogata family, including their collection of an ink bamboo painting, also display the above mentioned characteristics of the tradition of Kano school. This ink bamboo painting, a sketch copies a work by Gang Huian, a famous Korean literary painter active in the 15th century. It was recognized as a significant piece of painting during the Edo period in Japan, because it was mistakenly perceived as a painting by Shu Shi of the Nothern Sung dynasty. The poetry written on the ink bamboo painting possesed by the Ogata family includes the term ‘Kangjung’. Interestingly,“Records on the painting and calligraphy of Koryo and Joseon Dynasty”in the Revised Version of the Record of Old painting , written in the 19th century, contains the‘Kangjung’ catagory, and upon it records the identical poetry. Kangjung is the Korean literary bureaucrat Seo Geojeong, who was active in the 15th century. The term of‘Cheongcheon’, was included in the record of “Records on the painting and calligraphy of Koryo and Joseon Dynasty” and the poetry in the Ogata family’s bamboo sketch. The fact that the term is a Gang Huian’s hao, a pen name is also confirmed. Seo Geojeong and Gang Huian, two representative literati in the early Joseon period, interacted closely, and Seo Geojeong recorded multiple times on Gang Huian's bamboo paintings. Gang Huian often represented paintings of bamboo. Seo Geojeong compared Gang Huian’s bamboo with Chao Mengfu, a famous literary painter of the Yuan Dynasty. Chao Mengfu’s style of calligraphy was popular in the early Joseon period and Gang Huian was excellent in that calligraphic style. More than few recordings of Chao Mengfu’s bamboo painting still remain. However, the bamboo painting of the Ogata family show similarities and differences when compared with Chao Mengfu’s bamboo paintings. Meanwhile the fact that the ink bamboo painting of the Ogata family exhibits stylistic characteristics of Yi Jeong, a master of bamboo painting who was active in the early 17th century Joseon, in terms of composition and motives, techniques of brush and ink, and the way of describing stones, is also worthy of taking notice.