<호남가>류 시가 작품의 전승 맥락과 <호남지방찬양시>의 발굴 검토

Abstract

This study is the excavation and analysis of new works of ‘Honamga’ style poetry, ‘Honam Region Praise Poems’. 'Honam Region Praise Poems' are place name poetry in the style of 'Honamga' from a reference book, “Geumsugangsan (picturesque rivers and mountains) Sightseeing Records (錦繡江山遊覽記)” owned by professor Ku Sa‐hoe at SunMoon University and edited by Manjae(晩齋) Ju Won‐taek(朱元澤). ‘Honam Region Praise Poems’ are works of modern poetry organized by Manjae Ju Won‐taek in the 1960s. 'Honam Region Praise Poems' are deeply related to the 'Honamga' style poetry works that sing about the beautiful scenery and customs of Honam using place names. This is because 'Honam Region Praise Poems' inherited the place name poetry works that formed a poetic semantic structure by weaving place names of each region in Korea before modern times. In the ‘Honamga’ style poetry works that sing the beautiful scenery and customs of the Honam regions, the classical Chinese poetry ‘Honam poems’ came first, followed by the place name gasa (poetry), ‘Honamga’. The place name classical Chinese poetry showed a clue in 'Namjeongbu(南征賦)' of Jukbong (竹峰) Ko Yong‐jeup (高用楫, 1672~1735) in the early 18th century, followed by 'Honam poems'. Subsequently, the place name gasa, ‘Honamga’ was widely circulated, and Shin Jae‐hyo newly adapted gasa into Pansori Danga. Today, ‘Honamga’ has been handed down mainly to Pansori Danga rather than gasa. ‘Honam Region Praise Poems’ were intertexted based on Shin Jae‐hyo’s ‘Honamga’, a Pansori Danga, and followed its phraseology and expression techniques. These works praised the beautiful scenery and simple customs of Honam through the rhetoric expression of double meaning (二重字義) with 53 place names belonging to Jeolla Gamyeong in late Joseon. It was confirmed that through 'Honam Region Praise Poems', since late Joseon, 'Honamga' style poetry works have been steadily loved by people, and that some works were newly created until the modern period.