조수삼의 <외이죽지사(外夷竹枝詞)>를 통해 본 와유(臥遊)와 상상력

Abstract

The Wayu culture of the late Joseon Dynasty has existed since that time, and as it entered the latter phase, the subject of the metaphor will be expanded to a broader concept of the Wayu, such as the place of imagination or people. The timing of this change is closely related to the culture of the word "Gang-nam" and is due to the Genre Paintings of the late Joseon period. Based on a socio-cultural background of open Chinese private roads and Western culture, the desire for overseas tours was also a source of Wayu, which led to the creation of <Oei jukjisa>. <Oei jukjisa> is an imaginary overseas the travel writing created in the form of Jukjisa , and unlike ordinary organic works, it draws detailed descriptions of the art of Jukjisa, everyday life, ritual, etc. <Oei jukjisa> appears to have been re-created based on the existing Jukjisa history books and geography, but it is not just the same as it was. but also the new information and the more effective lyricism of Chinese poems, following the "Jukjisa" form combining the poetry and prose. which were drawn about the travel writing and around people. We created the ideal world by using 'imagination', which is not limited to identity restrictions or reality, because the poor environment as a person would have become the background.