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≪红楼梦≫神话的圆形结构研究—— 从“石头记”神话角度看后四十回对前八十回的续接

A Study on the Circular Structure of the Myth of “A Dream of Red Mansions”:On the Continuation of the Last Forty Chapters to the First Eighty Chapters from the Perspective of the Myth of “The Story of the Stone”

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有关≪红楼梦≫后四十回的版权归属及价值评判的问题,一直是红学研究中争议不断的部分。有学者从悲剧主题及情节续接角度评判后四十回并非曹雪芹所作。但这种评判有停留在表层之嫌,运用神话原型理论分析≪红楼梦≫的深层结构,会发现后四十回与前八十回的续接达到了浑然一体的程度。从神话角度可以将≪红楼梦≫的结构看成是从神话到现实,即从“石头”到“宝玉”的正向圆弧,和从现实回归神话,即从“宝玉”到“石头”的反向圆弧,这一正一反两个圆弧二元对立地构成了≪红楼梦≫圆形的原型结构。

Abstract

This The copyright ownership and value judgment of the last forty chapters of “Dream of Red Mansions” have always been a controversial part in the study of “Dream of Red Mansions”. Some scholars judge that the last forty chapters were not written by Cao Xueqin from the perspective of tragic theme and plot continuation, but this judgment is suspected of staying on the surface. Using the mythological archetype theory to analyze the deep structure of “Dream of Red Mansions”, it will be found that the continuation of the last forty chapters and the first eighty chapters has reached the level of seamless integration. From the perspective of mythology, the structure of “Dream of Red Mansions” can be regarded as a positive arc from myth to reality, that is, from “stone” to “Baoyu”, and a reverse arc from reality back to myth, that is, from “Baoyu” to “stone”. These two arcs, one positive and one negative, constitute the circular archetypal structure of “Dream of Red Mansions” in binary opposition.

참고문헌 (15)

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