韩中太空科幻电影跨文化传播中的“文化折扣”现象分析——以《流浪地球》和《胜利号》为例

Abstract

The continuous exploration of human beings in the field of space provides creative materials and inspiration for space science fiction films. The United States space industry developed earlier and their film production capacity is much higher, so it has taKen the lead in creating many classic space science fiction movies for a long time, some outstanding space sci-fi movies such as “The Martian”, “Interstellar” and so on, which has become the pioneer and model of space science fiction films. “The Wandering Earth” and “Space Sweepers”, as the opening worKs of space science fiction films in China and South Korea respectively, have been widely reviewed after their spread in China and overseas. However, due to the explicit or implicit differences in the cultural bacKgrounds and values of different countries, the phenomenon of “cultural discount” appears in the process of cross-cultural communication of the two films. By collecting and sorting out the comments of Chinese and South Korean audiences on the two films, this paper analyzes the specific manifestations of the phenomenon of “cultural discount” during the dissemination of the two films, and analyzes the causes from the perspective of “cultural iceberg theory”, aiming to put forward suggestions for the dissemination of space science fiction films in China and South Korea.