중국식 SF의 모색과 한계 — 최근 흥행한 SF영화 세 편을 중심으로
The Exploration and Limitations of Chinese SF Film: With a Focus on Three Recent Successful SF Movies
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This article analyzes the achievements and limitations of Chinese SF film produced since 2019, with a focus on three recent popular movies: Wandering Earth, Crazy Alien, and Moon Man, and maps out the implications of the genre's development in the Chinese context. Chinese movies took the early form of an industry in the wake of the Reform and Opening-up, have been growing driven by technological shifts, and currently creating a system that pursues “industrialization.” During these environmental changes, Chinese movies have produced a series of blockbuster works, and the SF genre has gradually observed a similar trend. Recent blockbuster SF movies released in China were hits at the box office: the audience was enthusiastic about Wandering Earth, which describes Chinese people who proudly play active roles in space and save the world by themselves; Crazy Alien is impactful in portraying in a humorous way how Chinese traditional culture overturns the current global power structure; and Moon Man boldly experiments with narrative by integrating other types of representation like webtoon. With the favorable environment and increasing market needs in the Chinese film industry, SF movies will constantly expand their business territory through various approaches and methods. The SF genre is never freed from social discussion and controversies as it originates from the imagination of the future and technological advancements. Therefore, detailed analyses and evaluations of individual SF movies are required to offer a valuable understanding of the Chinese society that produces them.
Abstract
This article analyzes the achievements and limitations of Chinese SF film produced since 2019, with a focus on three recent popular movies: Wandering Earth, Crazy Alien, and Moon Man, and maps out the implications of the genre's development in the Chinese context. Chinese movies took the early form of an industry in the wake of the Reform and Opening-up, have been growing driven by technological shifts, and currently creating a system that pursues “industrialization.” During these environmental changes, Chinese movies have produced a series of blockbuster works, and the SF genre has gradually observed a similar trend. Recent blockbuster SF movies released in China were hits at the box office: the audience was enthusiastic about Wandering Earth, which describes Chinese people who proudly play active roles in space and save the world by themselves; Crazy Alien is impactful in portraying in a humorous way how Chinese traditional culture overturns the current global power structure; and Moon Man boldly experiments with narrative by integrating other types of representation like webtoon. With the favorable environment and increasing market needs in the Chinese film industry, SF movies will constantly expand their business territory through various approaches and methods. The SF genre is never freed from social discussion and controversies as it originates from the imagination of the future and technological advancements. Therefore, detailed analyses and evaluations of individual SF movies are required to offer a valuable understanding of the Chinese society that produces them.
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