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Comparative Discourse on J-pop and K-pop: Hybridity in Contemporary Local Music

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주제분류한국어와문학

초록

Due to the close but complicated relationship between the Japanese and Korean music industries, J-pop and K-pop have several significant commonalities and differences. By analyzing the transformation of K-pop in tandem with Japanese influences through a convergence of political economy in terms of historical approach and textual analysis, this paper identifies several key elements involved in the growth of K-pop. It does not attempt to determine the major reasons for the success of K-pop, and/or the failure (or low degree of popularity) of J-pop in global markets. Instead, it comparatively discusses several major features—including idol production systems, copyright issues, and hybridity—of these two popular music genres, thereby mapping out J-pop’s influences and the remnants of such influences in the K-pop sphere, as well as the ways in which K-pop has become a model for J-pop. It aims to investigate the contemporary cultural stages and transition of popular music in Korea occurring within the unfolding logic of cultural globalization, known as hybridization.

Abstract

Due to the close but complicated relationship between the Japanese and Korean music industries, J-pop and K-pop have several significant commonalities and differences. By analyzing the transformation of K-pop in tandem with Japanese influences through a convergence of political economy in terms of historical approach and textual analysis, this paper identifies several key elements involved in the growth of K-pop. It does not attempt to determine the major reasons for the success of K-pop, and/or the failure (or low degree of popularity) of J-pop in global markets. Instead, it comparatively discusses several major features—including idol production systems, copyright issues, and hybridity—of these two popular music genres, thereby mapping out J-pop’s influences and the remnants of such influences in the K-pop sphere, as well as the ways in which K-pop has become a model for J-pop. It aims to investigate the contemporary cultural stages and transition of popular music in Korea occurring within the unfolding logic of cultural globalization, known as hybridization.

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