Discussion on the East Asian Four Gods Cultural Community from the Perspective of Comparative Mythology
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Amid the 2018 Pyeongchang Winter Olympics debate on the Four Gods culture between China and South Korea, this study explores the East Asian Four Gods culture in China, Japan, and Korea through comparative mythology. Emphasizing an interdisciplinary approach combining archaeology, anthropology, literature, history, and psychology, the research reveals the commonalities and differences in the Four Gods' depiction and significance across these cultures through literature analysis, tomb mural comparisons, and feng shui practices. The study proposes the feasibility and necessity of establishing a Four Gods cultural community as a step toward a broader East Asian cultural community, providing theoretical support for this concept. Future research should expand to other regions influenced by East Asian culture, explore modern applications of Four Gods symbolism, and develop digital tools for the preservation and dissemination of this cultural heritage.
Abstract
Amid the 2018 Pyeongchang Winter Olympics debate on the Four Gods culture between China and South Korea, this study explores the East Asian Four Gods culture in China, Japan, and Korea through comparative mythology. Emphasizing an interdisciplinary approach combining archaeology, anthropology, literature, history, and psychology, the research reveals the commonalities and differences in the Four Gods' depiction and significance across these cultures through literature analysis, tomb mural comparisons, and feng shui practices. The study proposes the feasibility and necessity of establishing a Four Gods cultural community as a step toward a broader East Asian cultural community, providing theoretical support for this concept. Future research should expand to other regions influenced by East Asian culture, explore modern applications of Four Gods symbolism, and develop digital tools for the preservation and dissemination of this cultural heritage.
참고문헌 (50)
- Aykan, B, "‘Patenting’ Karagöz: UNESCO, nationalism and multinational intangible heritage", International Journal of Heri tage Studies, 21(10), pp.949~961 (2015)[DOI]
- Baek, Y. S., "East Asia Seen from the Periphery" (2004), Moonji Publishing
- Chaves, J., "A Han Painted Tomb at Loyang", Artibus Asiae, 30(1), pp.5~27 (1968)[DOI]
- Cheng, W. L, "The Four Symbols in Han Dynasty Art" (2012), Southeast University Press
- Choi, W. S., "East Asia After the Empire" (2009), Changbi
- Compareti, M, "Flying over Boundaries", Borders, 119 (2016)[DOI]
- Frazer, J. G, "The golden bough" (1922), Palgrave Macmillan UK
- Geng, T. H, "Murals of Koguryo Tombs" (2008), Jilin University Press
- Han, Z, "A Comparative Study of Chinese Tang Dynasty To mb Murals and Ancient Japanese Tomb Murals", Archaeology an d Cultural Relics, (6), pp.72~92 (1999)
- Hong, Y., "Return of Myth, Myth Resources, and the Contemporaneity of Mythology in Korea and China Today", International Journal of Korean History, 27(1), pp.325~353 (2022)[DOI]
- Huang, J. H, "On the Three Knowledge Periods of Comparative Mythology", Journal of Guangzhou University (Social Science Edition), (05), pp.64~71 (2022)
- Itou, K, "Nihon Shinwa to Chuugoku Shinwa(Japanese Mythology and Chinese Mythology)", ~ (1979)
- Jeong, J. S, "East Asian Studies" (1999), Sallim Publishing
- Jeong, J. S, "Towards an East Asian Cultural Community—The Significance and Approach of Creating a Cultural Gene Map of Korea, China, and Japan", Youngsan Journal of East Asian Cultural Studies, 35, pp.319~333 (2021)
- Kang, J. H., "Ethnic Images in 21st Century Fashion: Focusing on Korea, China, and Japan", Journal of the Korean Society of Costume, 60(7), pp.131~142 (2010)
- Ke, X, "South korea's intangible cultural heritage claims and china's ontological security", International Journal of Cultural Policy : CP, 28(4), pp.476~498 (2022)
- Kihata, O., "Comparative Analysis of Four-Deity Murals:Reevaluating the Takehara Tumulus Murals", Human and Socio-Environmental Studies, (35), pp.153~179 (2018)
- Kim, J. S, "Goguryeo Late Period Sasin-do Tomb Murals and Ancient Korean-Chinese Cultural Exchange", Prehistoric and Ancient Times, (30), pp.31~63 (2009)
- Kim, K. R, "A Study on Ethnic Textile Design Using Korean Motifs - Focused on Bag Fabric Design by Weaving Techniques", Master, pp.2008
- Kimishima, H., "Higashi Ajia no Sousei Shinwa(Creation Myths of East Asia)", ~ (1989)
- Latour, B., "Agency at the Time of the Anthropocene", New literary history, 45(1), pp.1~18 (2014)[DOI]
- Lee, S. Y, "A Study on the Iconography and Symbolism of 'Turtle' in Late Joseon Dynasty Folk Paintings", Doctor, pp.2021
- "Chrysanthemum" (2006)[URL]
- Lévi-Strauss, C., "Myth and meaning" (2013), Routledge
- Li, L. Y, "Study on the Religious Beliefs of Goguryeo", Doctor, pp.2008
- Liu, X. T., "The Decorative Features, Pattern Evolution, and Connection with Han Culture in the Mural Paintings of the Koguryo Tombs in Ji'an", Northern Cultural Relics, (02), pp.33~46 (2006)[DOI]
- Lixinski, L., "A Tale of Two Heritages: Claims of Ownership over Intangible Cultural Heritage and the Myth of ‘Authenticity’", Transnational Dispute Management, 11(2) (2014)
- Lv, G, "Study on the Four Gods Painting of Tomb No. 5 a t Ji'an Goguryeo Wu Kui Tomb", Doctor, pp.2020
- Meccarelli, M, "Discovering the Long: Current Theories an d Trends in Research on the Chinese Dragon", Frontiers of Hi story in China, 16(1), pp.99~ (2021)
- Nakano, R., "Heritage Soft Power in East Asia's Memory Contests: Promoting and Objecting to Dissonant Heritage in UNESCO", Journal of Contemporary Eastern Asia, 17(1) (2018)
- Puhvel, J, "Comparative Mythology" (1987), Johns Hopkins University Press
- Seo, Y. W, "A Study on the Birth Myths in Major Korean and Chinese Ancestral Myths", Asian Cultural Studies, 31, pp.161~193 (2013)
- "Records of the Grand Historian (Vol. 1)" (1998)[URL]
- Shimizu, T, "Comparative Literature 33", pp.115~119 (1991), Eihosha
- Smith, L, "Uses of heritage" (2006), Routledge
- Song, J. H, "A Comparative Study of Northern Chinese Tomb Art and Goguryeo Murals", Doctor, pp.2018
- Su, B, "The Layout and Content of Tang Dynasty Tomb Murals in the Xi'an Area", Acta Archaeologica Sinica, (2), pp.137~154 (1982)
- Wang, E. R, "A Comparative Study of Turtle Culture in China and Korea", Master, pp.2013
- Wang, Q, "Re-examination of the Founding Ancestor Myths of the Xia, Shang, and Zhou Dynasties", Xueshu Guwen (Sorted by Surname Strokes), 44 (2022)
- Zhu Shaohou, "The Four Symbols: Origin and System Formation", ~ (2008)
- Waterton, E., "Taking archaeology out of heritage", pp.10~27 (2009)
- Wong, P. Y. M., "The siling (four cardinal animals) in Han pictorial art", pp.2006
- Xing, Y., "The Application of Ancient Ecological Philosophy Theories in Modern Residential Area Planning", Sichuan Architecture Science Research, 37(4), pp.246~248 (2011)
- Ye, S. X, "Re-discussing New Mythologism—Also on the Academic Deficiency of Retelling Myths in China", Chinese Comparative Literature, (4), pp.39~50 (2007)
- Ye, S. X, "The Study and Prospects of the Methodology of Evidence in Sinological Research—From Single Evidence Method to Quadruple Evidence Method", Evidence Science, (4), pp.389~404 (2009)
- Ye, S. X., "Comparative Mythology in China: Reflection and Development", ~ (2016)
- Northrop Frye, H., "Anatomy of criticism" (1957)
- Ye, S. X, "Evidence Priority: The Quadruple Evidence Method and the "Jade Completed China Trilogy."", International Comparative Literature, 3(3), pp.415~437 (2021)
- Zhang, J, "Latour's "Common World" View from the Perspective of New Mythologism", Guizhou Social Sciences, (02), pp.68~74 (2022)[DOI]
- Zheng, B. X, "A Comparative Study of the Four Symbols in Tang Dynasty Tomb Murals and the Takamatsuzuka Kofun Murals in Japan", Beauty and Times (Upper), pp.47~51 (2022)[DOI]
