환대의 윤리 -마르코 툴리오 조르다노의 영화를 중심으로-
Ethic of Hospitality
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The paper explores the issue of strangers and of hospitality in Marco Tullio Giordana’s Quando sei nato non puoi più nasconderti, based J. on Derrida’s discussion of hospitality. Since the 1990s has increased the post modern thinking in Italy it’s influence which makes the repression of the other a point at issue, the ethical response on it has become a important theme in philosophy. Focusing on the Giordana’s work, the purpose is to gauge the unique status Derrida holds in the post-modern thought, based on his Theory of absolute Other and unconditional hospitality. The thesis will illustrate how thoughts on the absolute other and the political theory of deconstruction provide crucial hints to overcome the limits of modern justice’s theory, which is equalitarian and seeks universality. Furthermore, the thesis will show the ethical meanings of Derrida’s theory of absolute other, and what its logical dilemmas are, exloring the Giordana's film. Through this process, the reason why we must pursue the possibility of overcoming universalistic justice and ethics of responsibility as an absolute and unconditional hospitality, which is based on the absolute alterity.
Abstract
The paper explores the issue of strangers and of hospitality in Marco Tullio Giordana’s Quando sei nato non puoi più nasconderti, based J. on Derrida’s discussion of hospitality. Since the 1990s has increased the post modern thinking in Italy it’s influence which makes the repression of the other a point at issue, the ethical response on it has become a important theme in philosophy. Focusing on the Giordana’s work, the purpose is to gauge the unique status Derrida holds in the post-modern thought, based on his Theory of absolute Other and unconditional hospitality. The thesis will illustrate how thoughts on the absolute other and the political theory of deconstruction provide crucial hints to overcome the limits of modern justice’s theory, which is equalitarian and seeks universality. Furthermore, the thesis will show the ethical meanings of Derrida’s theory of absolute other, and what its logical dilemmas are, exloring the Giordana's film. Through this process, the reason why we must pursue the possibility of overcoming universalistic justice and ethics of responsibility as an absolute and unconditional hospitality, which is based on the absolute alterity.
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