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문화교육을 위한 문학작품과 영화의 활용: 강의 사례

Teaching English Culture through Literature and Film: A Case Study

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주제분류영어와문학

초록

Living in the new media age when the screen has replaced the book as the dominant medium of communication, the old ways of teaching literature should be reconsidered and modified to meet the current cultural changes. Considering that the primary purpose of teaching literature is to help the students gain a more comprehensive understanding of the English culture, I suggest teaching literature in combination with films with equal emphasis placed on both literature and film, instead of using film as a supplement to the reading. In order for the students to gain a broader perspective of the culture, it is important to educate the students how to read and analyze both the literary and film texts and make comparison with each other. This article provides a case study of teaching comparative analysis of literary texts and their film adaptations focusing on the ways in which both the literary and film texts reflect and confront the cultural and ideological values of the society in which they were produced.

Abstract

Living in the new media age when the screen has replaced the book as the dominant medium of communication, the old ways of teaching literature should be reconsidered and modified to meet the current cultural changes. Considering that the primary purpose of teaching literature is to help the students gain a more comprehensive understanding of the English culture, I suggest teaching literature in combination with films with equal emphasis placed on both literature and film, instead of using film as a supplement to the reading. In order for the students to gain a broader perspective of the culture, it is important to educate the students how to read and analyze both the literary and film texts and make comparison with each other. This article provides a case study of teaching comparative analysis of literary texts and their film adaptations focusing on the ways in which both the literary and film texts reflect and confront the cultural and ideological values of the society in which they were produced.

참고문헌 (23)

  1. 김성곤, "영상텍스트와 문학연구방법의 확장", 문학과 영상, 1(1), pp.13~45 (2000)
  2. 김정호, "영미 문학과 영화 강의 사례", 현대영어영문학, 47(1), pp.45~66 (2003), 한국현대영어영문학회
  3. 성경준, "미국소설 강의에서 영화텍스트의 사용", 문학과 영상, 1(1), pp.97~115 (2000)
  4. 신숙원, "지식정보 사회의 영미 문학", 문화 교육, 2000, pp.4, 5~35
  5. 심경석, "영화 보기", 읽기와 영문학 교육문학과 영상의 밀월을 다시 돌아봄, 2002, pp.13, 120~132[DOI]
  6. 이향만, "미국 소설 읽기를 위한 영화시청 방안", 문학과 영상, 5(2), pp.231~255 (2004), 문학과영상학회
  7. 이형식, "깨뜨리고 다시 만들기: 한국에서의 새로운 영문학 커리큘럼을 위하여", 영어영문학, 44(3), pp.749~769 (1998)
  8. 임진희, "미국문학을 통한 문화교육의 모색", 영미문학교육, 8(1), pp.147~167 (2004), 한국영미문학교육학회
  9. 최정선, "원작과 영화의 비교를 통한 영미문학교육: 『위대한 개츠비』의 경우", 영미문학교육, 11(2), pp.129~149 (2007), 한국영미문학교육학회
  10. Bacchilega, Christina, "Postmodern Fairy Tales: Gender and Narrative Strategies" (1997), U of Pennsylvania P
  11. Cahir, Linda Costanzo, "Literature into Film: Theory and Practical Approaches" (2006), McFarland
  12. "Adaptation. Writ. Charlie Kaufmann. Dir. Spike Jones. Columbia", ~ (2002)
  13. "Clueless. Dir. Amy Hackerling. Perf. Alicia Silverstone. Paramount", ~ (1995)
  14. "Emma. Dir. Douglas McGrath. Perf. Gwyneth Paltrow. Miramax", ~ (1996)
  15. Frus, Phillis, "Beyond Adaptation: Essays on Radical Transformations of Original Works", pp.1~18 (2010), McFarland & Company
  16. "Mirror, Mirror: The Untold Adventures of Snow White. Dir. Tarsem Singh. Goldman", ~ (2012)
  17. "Psycho. Dir. and Prod. Hitchcock, A. Paramount", ~ (1960)
  18. "Romeo and Juliet. Dir. Franco Zeffirelli, Paramount", ~ (1968)
  19. Scholes, Robert, "The English Curriculum after the Fall", Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture, 10(1), pp.229~240 (2009)
  20. Shakespeare, William, "Romeo and Juliet" (2005), Penguin
  21. "Shakespeare’s Romeo + Juliet. Dir. Baz Luhrmann. MGM", ~ (1995)
  22. "Snow White and the Seven Dwarfs. Prod. Walt Disney. Disney", ~ (1937)
  23. Troost, Linda V., "The Cambridge Companion to Literature on Screen", pp.75~89 (2007), Cambridge UP

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