블레이크의 여성담론:『올비언의 딸들의 비전』(Visions of the Daughters of Albion)
The Feminine Discourse of Blake: Visions of the Daughters of Albion
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In a masculine discourse, the woman is a commodity in a system of exchange, a thing without a sex, without desire, tenable only as the material needed to complete the phallocratic systems of appropriation and domination. But in spite of the fact that most of the text of the poem laments over what has been lost, Oothoon's sexual experience with the Marygold celebrating a pre-masculine joy. It offers some indication of what might constitute a feminine discourse, an alternative way of expresing desire. A woman's desire divides itself, pulls itself to pieces, dismembers itself, regroups, remembers itself. And hers is a proliferating, maternal femininity. And against the masculine paradigm of domination, it will surge toward the other. A feminine discourse implies a desire without a negative, a desire that does not command and control, but where partners might "recognize each other in a type of exchange in which each one would keep the other alive and different.
Abstract
In a masculine discourse, the woman is a commodity in a system of exchange, a thing without a sex, without desire, tenable only as the material needed to complete the phallocratic systems of appropriation and domination. But in spite of the fact that most of the text of the poem laments over what has been lost, Oothoon's sexual experience with the Marygold celebrating a pre-masculine joy. It offers some indication of what might constitute a feminine discourse, an alternative way of expresing desire. A woman's desire divides itself, pulls itself to pieces, dismembers itself, regroups, remembers itself. And hers is a proliferating, maternal femininity. And against the masculine paradigm of domination, it will surge toward the other. A feminine discourse implies a desire without a negative, a desire that does not command and control, but where partners might "recognize each other in a type of exchange in which each one would keep the other alive and different.
참고문헌 (15)
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- Cixous, Helene, "The Laugh of the Medusa, In New French Feminisms: An Anthology", pp.245~264 (1981), U of Massachusetts P
- Damon, S. Foster, "A Blake Dictionary: The Ideas and Symbols of illiam Blake" (1979), Shambhala Press
- Erdman, David V., "Blake: Prophet against Empire" (1969), Princeton UP
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- Hagstrum, Jean, "The Romantic Body: Love and Sexuality in Keats, Wordsworth, and Blake" (1985), of Tennessee P
- Heffernan, James, "Blake's Oothoon: The dilemmas of Marginality", Studies in Romanticism, 30(spring), pp.3~18 (1991)
- Irigaray, Luce, "This sex which is Not One" (1985), Cornell UP
- Johnson, Mary Lynn, "Blake's Poetry and Designs: A Norton Critical Editions" (1979), W. W. Norton & Co
- Lacan, Jacques, "The Four Fundamental Concepts of Psycho-Analysis" (1981), W. W. Norton & Company
- Mellor, Ann K., "Blake's Human Form Divine" (1974), U of California P
- Wasser, Henry W., "Notes on the Visions of the Daughters of Albion by William Blake", Modern Language Quarterly, pp.292~297 (1948)
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