허먼 멜빌의 『모비딕』에 나타난 낭만주의적 타자성
Romantic Otherness in Herman Melville’s Moby-Dick
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Even though Herman Melville was understood as a major moral and political commentator of his age, New Historicism, which satisfies the current desire to make moral claims by evaluating literary works in terms of the author’s presumed political orientations, unveils its limitations of unduly limiting Herman Melville’s aestheticism. Herman Melville’s aesthetic intention is distinguished in his romantic otherness which is inextricably bound by human being’s individual will of growth and Emersonian self-reliance. To create the romantic otherness, Melville uniquely combines the abandonment of the Biblical others with their unyielding romantic intent on supernatural achievement. Ahab’s romantic otherness enables him to revive as the sun revives when he is dismembered in mid winter by a leviathan, the absolute power. Ishmael makes decisive contributions to Ahab’s romantic otherness by sharing his self-reliance and individual will of growth in his abandoned identity to encompass every phase of otherness that brings together all varieties and opposites.
Abstract
Even though Herman Melville was understood as a major moral and political commentator of his age, New Historicism, which satisfies the current desire to make moral claims by evaluating literary works in terms of the author’s presumed political orientations, unveils its limitations of unduly limiting Herman Melville’s aestheticism. Herman Melville’s aesthetic intention is distinguished in his romantic otherness which is inextricably bound by human being’s individual will of growth and Emersonian self-reliance. To create the romantic otherness, Melville uniquely combines the abandonment of the Biblical others with their unyielding romantic intent on supernatural achievement. Ahab’s romantic otherness enables him to revive as the sun revives when he is dismembered in mid winter by a leviathan, the absolute power. Ishmael makes decisive contributions to Ahab’s romantic otherness by sharing his self-reliance and individual will of growth in his abandoned identity to encompass every phase of otherness that brings together all varieties and opposites.
참고문헌 (30)
- Bakhtin, M.M., "The Dialogic Imagination" (1981), University of Texas Press
- Bell, Michael Davitt, "The Development of American Romance" (1980), University of Chicago Press
- Brown, Colin, "Christianity & Western Thought" (1990), InterVarsity Press
- Catholic Edition, "Holy Bible, New Revised Standard Version" (1999), Harper Catholic Bibles
- Dimock, Wai-chee, "Empire for Liberty" (1989), Princeton University Press
- Duban, James, "Melville’s Major Fiction" (1983), Northern Illinois University Press
- Fiedler, Leslie A., "Love and Death in the American Novel" (1982), Scarborough House
- Greenham, David., "Emerson, Melville, James, Berryman Great Shakespeareans vol. viii" (2011), Continuum
- James, C. L. R., "Mariners, Renegades and Castaways" (1985), Dartmouth College Press
- Kazin, Alfred, "Melville: A Collection of Critical Essays" (1962), Prentice Hall
- Keats, John, "The Letters of John Keats, vol.1" (1958), Harvard University Press
- Kersbergen, Van Kees, "Religion Class Coalitions and Welfare States" (2009), Cambridge University Press
- Lacan, Jacques, "The Seminar of Jacques Lacan Book VII The Ethics of Psydhoanalysis 1959-1960" (2008), Routledge Classics
- Lacan, Jacques, "The Seminar of Jacques Lacan Book XI The Four Fundamental Concepts of Psychoanalysis" (1981), W.W.Norton & Company
- Martin, Robert K, "Hero, Captain, and Stranger" (1986), The University of North Carolina Press
- McGann, Jerome J., "The Romantic Ideology" (1983), University of Chicago Press
- Melville, Herman, "Moby-Dick" (1967), Norton
- Melville, Herman, "“Hawthrone and His Mosses” Moby-Dick" (1967), Norton
- Morse, Peckham, "The Triumph of Romanticism" (1970), University of South Carolina Press
- Spanos, William V., "The Errant Art of Moby-Dick" (1995), Duke University Press
- Spanos, William V., "Herman Melville and the American Calling" (2008), State University of New York Press
- Parker, Hershel, "Herman Melville A Biography Volume 1 & 2" (1996), The Johns Hopkins University Press
- Pease, Donald, "Visionary Compacts: American Renaissance Writings in Cultural Context" (1987), University of Wisconsin Press
- Peretz, Eyal, "Literature, Disaster, and the Enigma of Power, A Reading of Moby-Dick" (2003), Stanford University Press
- Porte, Joel, "The Romance in America" (1969), Wesleyan University Press
- Selden, Raman, "A Reader’s Guide to Contemporary Literary Theory" (1993), Harvester Wheatsheaf
- Sewall, Richard B., "“Moby-Dick as Tragedy,” Moby-Dick" (1967), Norton
- Spiller, Robert E., "The Cycle of American Literature" (1967), Free Press
- Wiesner-Hanks, Merry E., "Christianity and Sexuality in the Early Modern World" (2000), Routledge
- Wilson, Richard, "New Historicism and Renaissance Drama" (1992), Longman