시적 영향의 관점에서 본 블레이크와 긴스버그
Blake and Ginsberg from the Standpoint of Poetic Influence
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This paper is not primarily about Blake's influence upon Ginsberg, though it is concerned about the question of influence and tries to suggest what influence Blake has upon Ginsberg. We can map Ginberg's poetic career as a gradual coming-to-terms with the problematic character of his "Blake." Ginsberg's Blake visions constitute a kind motif flowing through the body of his work. For over three decades after his initial experience, the visions sustained and yet in some degree haunted Ginsberg's poetic enterprise. But in renouncing Blake the external figure, the "guru," Ginsberg assumed the voice of Blake into the flux of his own universal consciousness. Hence by renouncing Blake, Ginsberg was in fact renouncing himself―or the limited conception of himself as a single, separate ego "I." And writing poems constantly awoke in Ginsberg the question, " Who is the 'I' responsible for these poems? Having made these initial discoveries, Ginsberg dove even deeper seeking the "bottom" of human existence.
Abstract
This paper is not primarily about Blake's influence upon Ginsberg, though it is concerned about the question of influence and tries to suggest what influence Blake has upon Ginsberg. We can map Ginberg's poetic career as a gradual coming-to-terms with the problematic character of his "Blake." Ginsberg's Blake visions constitute a kind motif flowing through the body of his work. For over three decades after his initial experience, the visions sustained and yet in some degree haunted Ginsberg's poetic enterprise. But in renouncing Blake the external figure, the "guru," Ginsberg assumed the voice of Blake into the flux of his own universal consciousness. Hence by renouncing Blake, Ginsberg was in fact renouncing himself―or the limited conception of himself as a single, separate ego "I." And writing poems constantly awoke in Ginsberg the question, " Who is the 'I' responsible for these poems? Having made these initial discoveries, Ginsberg dove even deeper seeking the "bottom" of human existence.
참고문헌 (11)
- Bloom, Harold, "The Anxiety of Influence: A Theory of Poetry" (1973), Oxford Univ. Press
- Clark, Thomas, "Writers at Work: The Paris Review Interviews" (1967), Viking Press
- Erdman, David V, "The Complete Poetry and Prose of William Blake" (1982), U of California P
- Ginsberg, Allen, "A Casebook on the Beat" (1961), Thomas Y. Crowell
- Ginsberg, Allen, "Collected Poems 1947-1980" (1984), Harper & Row, Publishers
- Ginsberg, Allen, "Spontaneous Mind: Selected Interviews 1958-1996" (2001), Harper Collins
- Hungerford, Amy, "Postmodern Supernaturalism: Ginsberg and the Search for a Supernatural Language", The Yale Journal of Criticism, 18(2), pp.269~298 (2005)
- Jackson, Brian, "Modernist Looking: Surreal Impressions in the Poetry of Allen Ginsberg", Texas Studies in Literature and language, 52(3), pp.298~323 (2010)
- Portuges, Paul, "The Visionary Poetics of Allen Ginsberg" (1978), Ross-Erickson
- Quinn, Justin, "Coteries, Landscape and the Sublime in Allen Ginsberg", Journal of Modern Literature, 21(1, pp.2) (2003), 193~206
- Schumacher, Michael, "Dharma Lion A Critical Biography of Allen Ginsberg" (1992), St. Martin's