앨런 긴즈버그의 ‘간극’
Allen Ginsberg’s ‘Gap’
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Ginsberg sees the function of poetry as a catalyst to mystical states of consciousness, where in an instant one can realize the secret of the universe or nature beyond ordinary perceptions and thoughts as he did in his Blake visions. He finds a critical clue to poetry that reveals nature’s hidden order in Cézanne’s paintings. He tries to incarnate Cézanne’s ‘gap’ in his poetry by means of juxtaposed images, i.e., ellipses that compress different parts or associations in the mind in one instant. Ginsberg also argues that poets are spontaneous because they follow the mind’s naked and free activities: they observe and transcribe the interior flow of the mind, the natural flow of consciousness without self-conscious control. This interior flow shows that his poetics actually deviates from Poundian tradition in spite of their apparent affinity in their methods of juxtaposition. However, Ginsberg’s spontaneous poetry also differs from surrealist automatism in that, by following the natural flow of consciousness, the poems incarnate mystical gaps
Abstract
Ginsberg sees the function of poetry as a catalyst to mystical states of consciousness, where in an instant one can realize the secret of the universe or nature beyond ordinary perceptions and thoughts as he did in his Blake visions. He finds a critical clue to poetry that reveals nature’s hidden order in Cézanne’s paintings. He tries to incarnate Cézanne’s ‘gap’ in his poetry by means of juxtaposed images, i.e., ellipses that compress different parts or associations in the mind in one instant. Ginsberg also argues that poets are spontaneous because they follow the mind’s naked and free activities: they observe and transcribe the interior flow of the mind, the natural flow of consciousness without self-conscious control. This interior flow shows that his poetics actually deviates from Poundian tradition in spite of their apparent affinity in their methods of juxtaposition. However, Ginsberg’s spontaneous poetry also differs from surrealist automatism in that, by following the natural flow of consciousness, the poems incarnate mystical gaps
참고문헌 (11)
- Artaud, Antonin, "Selected Writings" (1988), U of California P
- Ginsberg, Allen, "Composed on the Tongue" (1980), Grey Fox
- Ginsberg, Allen, "Collected Poems: 1947-1980" (1984), Harper & Row
- Ginsberg, Allen, "Deliberate Prose" (2000), HaperCollins
- Ginsberg, Allen, "The Essential Ginsberg" (2015), HaperCollins
- Géfin, Laszlo, "Ideogram: History of a Poetic Method" (1982), U of Texas P
- Jackson, Brian, "Modernist Looking: Surreal Impressions in the Poetry of Allen Ginsberg", Texas Studies in Literature and Language, 52(Fall), pp.298~323 (2010)
- Loran, Erle, "Cézanne’s Composition" (1943), U of California P
- Mortenson, Erik, "Capturing the Fleeting Moment: Photographs in the Work of Allen Ginsberg", Chicago Review, 51(Spring), pp.215~231 (2005)
- Portugés, Paul, "Allen Ginsberg’s Paul Cezanne and the Pater Omnipotent Aeterna Deus", Contemporary Literature, 21(Summer), pp.435~449 (1980)
- Read, Herbert, "A Concise History of Modern Painting" (1974), Thames & Hudson