사라 룰의『죽은 남자의 휴대폰』에 나타난 포스트 휴머니즘
Posthuman On Dead Man's Cell Phone Of Sarah Ruhl
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Dead Man’s Cell Phone, a play written by Sarah Ruhl, depicts changes in the way people recognize themselves and others. It explores the inherent conflicts between human and digital environments by establishing identities along the theme of cybernetics, characterized by digital integration through “technologies.” This study represents a deliberate attempt to grapple with a specific question of identity from a new perspective and approach developed between human and digital environments: what does it mean to become a “human” in the digital world? To better understand this literary work, it would be essential to define certain terms, including “post-human.” In this study, the term “post-humanism” is defined as the study of the symbiotic relationship between humans and the tools that they create.
Abstract
Dead Man’s Cell Phone, a play written by Sarah Ruhl, depicts changes in the way people recognize themselves and others. It explores the inherent conflicts between human and digital environments by establishing identities along the theme of cybernetics, characterized by digital integration through “technologies.” This study represents a deliberate attempt to grapple with a specific question of identity from a new perspective and approach developed between human and digital environments: what does it mean to become a “human” in the digital world? To better understand this literary work, it would be essential to define certain terms, including “post-human.” In this study, the term “post-humanism” is defined as the study of the symbiotic relationship between humans and the tools that they create.
참고문헌 (23)
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- 룰, 세라, "죽은 남자의 휴대폰" (2015), 지식을만드는지식
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