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파라텍스트의 병치와 융합: 프란시스 버몬트의『불타는 절구봉의 기사』를 중심으로

Juxtaposition and Fusion of Paratext: Francis Beaumont's The Knight of the Burning Pestle

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In this paper, I studied the juxtaposition and fusion of the paratexts in The Knights of the Burning Pestle, known as a play written by Francis Beaumont in 1607. Accepting the common research trends and criticisms of it, I explored its importance and meaning by focusing on the paratexts of this work. In literary interpretation, paratext is material that surrounds a published main text supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text and can change the reception of a text or its interpretation by the public. Paratext is most often associated with books, as they typically include a cover, title, dedication, opening information, foreword, footnotes, and many other materials not crafted by the author. In this context, I would like to explore its importance and meaning by focusing on the paratext of Beaumont's The Knights of the Burning Pestle through this paper. By confirming various information related to the structure and story formation through the framework of text analysis, it is believed that this paper will improve the correct analysis and understanding of the work from a different angle from most research trends centered on plot and character analysis, so far.

Abstract

In this paper, I studied the juxtaposition and fusion of the paratexts in The Knights of the Burning Pestle, known as a play written by Francis Beaumont in 1607. Accepting the common research trends and criticisms of it, I explored its importance and meaning by focusing on the paratexts of this work. In literary interpretation, paratext is material that surrounds a published main text supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text and can change the reception of a text or its interpretation by the public. Paratext is most often associated with books, as they typically include a cover, title, dedication, opening information, foreword, footnotes, and many other materials not crafted by the author. In this context, I would like to explore its importance and meaning by focusing on the paratext of Beaumont's The Knights of the Burning Pestle through this paper. By confirming various information related to the structure and story formation through the framework of text analysis, it is believed that this paper will improve the correct analysis and understanding of the work from a different angle from most research trends centered on plot and character analysis, so far.

참고문헌 (24)

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  2. 임성균, "양날의 칼: 불타는 절구공이의 기사 에 나타난 풍자와 패러디", 중세르네상스영문학, 21(2), pp.231~251 (2013), 한국고전중세르네상스영문학회[DOI]
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  4. Bergeron. David M, "Paratexts in Francis Beaumont's The Knight of the Burning Pestle", Studies in Philology, 106(4), pp.456~467 (2009)
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  6. Doebler, John, "The Shakespearean Stage, 1574-1642" (2009), Cambridge UP
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  9. Genette, Gerard, "Paratexts : Thresholds of Interpretation" (1997), Cambridge UP
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  15. Hoy, Cyrus, "vol. 1, The Dramatic Works in the Beaumont and Fletcher Canon" (1966), Cambridge UP
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  18. Lopez, Jeremy, "Constructing the Canon of Early Modern Drama" (2014), Cambridge UP
  19. Macksey, Richard, "Paratexts: Thresholds of Interpretation, Gerard Genette", pp.11~23 (1997), Camgridge UP
  20. Teggart, F. J, "The Plot of Lyly’s Sapho and Phao in Peot Lore. 8", pp.29~34 (1896), Heldref Publications
  21. Weber, Henry, "The Works of Beaumont and Fletcher. 14" (1812), James Ballantyne Company
  22. Whitted, Brent E, "Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607", Early Theater, 15(2), pp.111~130 (2012)
  23. Williams, Franklin, "Index of Dedications and Commendatory Verses in English Books before 1641" (1962), Bibliographical Society
  24. Zitner, Sheldon P., "The Knight of the Burning Pestle, the Revels Plays" (2004), Manchester UP

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