『불타는 절구봉의 기사』와 디미뉴티브적 요소들: 넬, 관객, 욕망
The Knight of the Burning Pestle and Diminutive Elements: Nell, Audience and Desire
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‧ Research topics: This paper explores women's desire for the diminutive on stage as erotic objects and how this desire can destabilize both the assumed teleological forces of gender and heterosexuality. ‧ Research background: This paper refers to the ‘size of the body’ as a category to examine the structure of desire in the early 17th century’s boy company’s performances. ‧ Difference from prior research: This form of desire privileges women’s desires and leads the female figure to claim the benefits of ‘size’ in order to gain a sexual, social, or physically powerful position otherwise inaccessible. ‧ Research method: Based on Patricia Pumerton's Cultural Aesthetics, this paper explores the diminutive elements as small, subordinate, or highly desirable objects as a frame. ‧ Research results: This paper confirms that the small boy actors promote the fusion of home and theatrical economy for female audiences and assert artistic and erotic authority in the theater. ‧ Contribution points and expected effects: It argues that the diminutive facilitates bring the convergence of domestic and theatrical economies for the female spectator in Francis Beaumont’s The Knight of the Burning Pestle in the playhouse.
Abstract
‧ Research topics: This paper explores women's desire for the diminutive on stage as erotic objects and how this desire can destabilize both the assumed teleological forces of gender and heterosexuality. ‧ Research background: This paper refers to the ‘size of the body’ as a category to examine the structure of desire in the early 17th century’s boy company’s performances. ‧ Difference from prior research: This form of desire privileges women’s desires and leads the female figure to claim the benefits of ‘size’ in order to gain a sexual, social, or physically powerful position otherwise inaccessible. ‧ Research method: Based on Patricia Pumerton's Cultural Aesthetics, this paper explores the diminutive elements as small, subordinate, or highly desirable objects as a frame. ‧ Research results: This paper confirms that the small boy actors promote the fusion of home and theatrical economy for female audiences and assert artistic and erotic authority in the theater. ‧ Contribution points and expected effects: It argues that the diminutive facilitates bring the convergence of domestic and theatrical economies for the female spectator in Francis Beaumont’s The Knight of the Burning Pestle in the playhouse.
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