A Remark on Dance Research Methodologies
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Dance studies has formulated the logic system of movement and has progressed in association with other disciplines. This article sets two research objectives: first to examine the distinct characteristics of the dance medium and the movement analysis systems, and second to investigate the direction and process of dance studies. Dance derives from human experience. It exists in its contemporary forms as an embodiment of human history and culture, as an ephemeral event. Dance is thus analyzed in terms of its functional units and symbolic meaning systems. Researching dance requires a means to document dance movements but also an ontological meaning of dance. This article uses perspectives from aesthetics and science of art to explore the fundamental issues on dance studies and changes in positivist approaches to dance. Finally, it emphasizes the importance of researching dance per se, affirming multidisciplinary approaches within contemporary dance studies.
Abstract
Dance studies has formulated the logic system of movement and has progressed in association with other disciplines. This article sets two research objectives: first to examine the distinct characteristics of the dance medium and the movement analysis systems, and second to investigate the direction and process of dance studies. Dance derives from human experience. It exists in its contemporary forms as an embodiment of human history and culture, as an ephemeral event. Dance is thus analyzed in terms of its functional units and symbolic meaning systems. Researching dance requires a means to document dance movements but also an ontological meaning of dance. This article uses perspectives from aesthetics and science of art to explore the fundamental issues on dance studies and changes in positivist approaches to dance. Finally, it emphasizes the importance of researching dance per se, affirming multidisciplinary approaches within contemporary dance studies.
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