BLM 시위에서의 춤과 안무 담론
Black Lives Matter Protest and the Discourse of Dance and Choreography
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본 연구는 블랙 라이브스 매터(Black Lives Matter) 시위를 중심으로 시위에서의 춤과 안무 담론을 탐색한다. BLM 시위는 인종적 다양성, 비폭력성, 탈중심성이 두드러졌으며 춤이 전면에 등장했다는 특징이 있다. BLM 시위에서 춤은 감정을 진실하게 표현하는 수단이자 색다르고 경박한 시위 레퍼토리로서 긍정적으로 부각되었다. 하지만 무용학의 관점에서 볼 때 춤은 단순히 감정 표현의 수단도 아니고 우발적이지도 않다. 춤 시위를 전략적으로 구조화된 행위이자 그 자체로 정치적인 실천으로 인정해야 한다. 한편 시위 현장의 역동은 고정성과 즉흥성의 이분법을 비껴난다. 이는 춤에서 고정성을 강조하고 구성과 즉흥의 관계를 이분법적 위계로 설정해 온 무용학에 변화를 촉구한다. 이러한 발견점은 무용학과 사회운동 연구가 상호적인 대화를 통해 확장될 수 있음을 시사한다.
Abstract
This study explores the discourse of dance and choreography within Black Lives Matter activism. As a key element of the BLM protests, I analyzed the characteristics of dance protests and choreographic protests. The BLM protests are different from previous Civil Right Movements in its diversity, nonviolence, and decentralization, and its dance repertoire is new. In BLM protests, dance has been highlighted as a genuine expression of emotion or a peaceful action in the realm of protests. However, even if this perspective affirms dance, dance is often considered as ‘the Other’ to rationality, language, and knowledge. I argue that dance should be seen as a performative and political practice. The dynamic of a protest glides between structure and improvisation, facilitating a change in dance discourse in which there is a lingering hierarchical dualism between composition and improvisation.
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