3D 영화에서 클로즈업의 미학적, 기술적 변화
Aesthetic and Technical Change of Close-up in 3D Film
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3D Film is coming to the attention after the success of the <Avatar>. One in the factors that a 3D gust of 1950's cannot continuously follow, and failed was a Human Factors. James Cameron has overcame ‘Human Factors’ through the experiment of 2 hours 40 minutes, so it is hard to pass by that it is fashion. I cannot but admit 3D Film is a period of transition going to hologram, Characteristic aesthetic study of 3D Film only is certainly necessary. 3D is exchanging the grammar of Film very much. In this study, I will focus to the close-up, among a lot of film aesthetics changed to 3D. First I will look into the process of a technical change in 3D Film and study it about aesthetic changes of close-up in 3D Film. I'll analyze it as divided to three chapters, Z axis, Off screen, Duration time. And I try to consider about figures of the past, now and a future close-up through this study.
Abstract
3D Film is coming to the attention after the success of the <Avatar>. One in the factors that a 3D gust of 1950's cannot continuously follow, and failed was a Human Factors. James Cameron has overcame ‘Human Factors’ through the experiment of 2 hours 40 minutes, so it is hard to pass by that it is fashion. I cannot but admit 3D Film is a period of transition going to hologram, Characteristic aesthetic study of 3D Film only is certainly necessary. 3D is exchanging the grammar of Film very much. In this study, I will focus to the close-up, among a lot of film aesthetics changed to 3D. First I will look into the process of a technical change in 3D Film and study it about aesthetic changes of close-up in 3D Film. I'll analyze it as divided to three chapters, Z axis, Off screen, Duration time. And I try to consider about figures of the past, now and a future close-up through this study.
참고문헌 (10)
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