미학과 이데올로기 — 현대 중국 미학대토론을 중심으로 —

Abstract

The paper focused on the process and contents about The Great Discussion(hereafter GD) in 1956-1962 China. I suggested that I had tried to reinterpretate early existed theories and did somewhat critical consideration against GD. My insistence would be the limitation and dependency to the orthodox Chinese Communist Ideology in consideration with the aesthetics or philosophy in contemporary China. To argue the GD, I would adopt three related theories as follows: ontology in the aesthetics, the experiences in the beauty recognition or pleasure, and Marxist aesthetics theory. The process and contents in the GD had mainly been the discussion or match between Zhu Guangqian versus Li Zehou in the perspective of subjectivity and objectivity of aesthetics ontology. Zhu had developed the western tradition and Li had newly adopted the praxis in the Marxist Proletariat revolution concepts. In my perspective, Cai yi`s objective existence theory would be the third way to the new Chinese aesthetics theories establishment. In conclusion, I would suggest that first, ontology of aesthetics has been convergence tendencies to the Chinese traditional aesthetics concepts. Second, The Mean way of aesthetics would be the convergencies three traditions: Chinese traditional, western, and Marxist. Third, The mainstream of contemporary Chinese aesthetics would be the subjectivity aesthetics in the basis of the Zhu Guangqian theories.