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Анализ внутритекстового субъекта ‘солдат’ в поэзии Б. Окуджавы в соотношении с теорией ‘инвариант’ (по Жолковскому и Щеглову)

Analysis of the Textual Subject «Solidier» in Poetry of B. Okudzhava - in Relationship with «Invariant» Theory - (by Zholkovskii and Sheglov)

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초록

The modern linguistic study of fiction literature is based on a number of key ideas in relation to the story prose, drama and lyricism. The center among these ideas takes up the idea of anthropocentrism as the basic principle of the structure and the function of the language system, therefore the study of all three hypostasis of the language which are the language system, language activities, and language material; fictionality (of the possibly fictional worlds of art in their relationship with reality and creative activity of the subject that generates text), unity of every single piece of literary work for a specific author in general. These mentioned three ideas are connected to the study of lyric poetry B.Sh. Okudzhava to resolve the question of the role of textual subjects inside text-lyrics Okudzhava in the organization of the artistic world of the poet, the typology of these subjects, their relationship with the categories of space and time, because the direction of research proposed in this paper allows you to combine both approaches which is on the hand, systematically covers the subjects that are presented in the poems of the poet, on the other, does from the analysis of subjects, organization of space and time extracted semantic invariant: ‘favorite idea’ (by Zholkovskii and Sheglov) of the poet and modeled his poetic world. This paper, in particular, investigates subject ‘soldier’, which is one of the central invariants describing the presentation of the poet on the man and his place in the world, thereby constituting a system of subjects in lyrics Okudzhava, and modeling art world Okudzhava.

Abstract

The modern linguistic study of fiction literature is based on a number of key ideas in relation to the story prose, drama and lyricism. The center among these ideas takes up the idea of anthropocentrism as the basic principle of the structure and the function of the language system, therefore the study of all three hypostasis of the language which are the language system, language activities, and language material; fictionality (of the possibly fictional worlds of art in their relationship with reality and creative activity of the subject that generates text), unity of every single piece of literary work for a specific author in general. These mentioned three ideas are connected to the study of lyric poetry B.Sh. Okudzhava to resolve the question of the role of textual subjects inside text-lyrics Okudzhava in the organization of the artistic world of the poet, the typology of these subjects, their relationship with the categories of space and time, because the direction of research proposed in this paper allows you to combine both approaches which is on the hand, systematically covers the subjects that are presented in the poems of the poet, on the other, does from the analysis of subjects, organization of space and time extracted semantic invariant: ‘favorite idea’ (by Zholkovskii and Sheglov) of the poet and modeled his poetic world. This paper, in particular, investigates subject ‘soldier’, which is one of the central invariants describing the presentation of the poet on the man and his place in the world, thereby constituting a system of subjects in lyrics Okudzhava, and modeling art world Okudzhava.

참고문헌 (12)

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  7. Неронова, И., "Детализация и лакунарность как принципы конструирования художественных миров в творчестве братьев Стругацких 1980-х гг", Ярославский педагогический вестник, 1(4) (2010), Гуманитарные науки
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  9. Ревзина, О., "Поэтический мир М. Цветаевой в произведениях 30-х годов (цикл ‘Куст’ и поэма 「Автобус」)", Творчество и Коммуникативный процесс, (6) (1999)
  10. Рымарь, Н., "Еще раз о ‘прозрачном’ и ‘непрозрачном’ слове: к вопросу о структуре поэтического слова", Вестник Самарской Гуманитарной академии. Серия ‘Философия. Филология.’, (2) (2007)
  11. Сидорова, М., "Грамматическое единство художественного текста: проза и поэзия", pp.2000
  12. Яковлев, Е., "Эстетика. Художник: личность и творчество" (2004)

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