표준 중국어 중첩 현상에서 성조 변화 유형에 관한 최적성 이론적 분석
An Optimality-theoretic Analysis on the Tone Change Types of Reduplication in Standard Chinese
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper applies Optimality Theory (OT) to the field of Tone-change types of re-duplication in Standard Chinese, so as to make the study more scientific and promising. Standard Chinese has several types of re-duplication. Kinship nouns reduplicate without their Tone, producing a phonologically Toneless reduplicant. Classifiers reduplicate with Tones intact. Adjectives reduplicate with a fixed high Tone on the second half of the reduplicant. In OT treatments of re-duplication, base-reduplicant identity is produced by faithfulness constraints relating the base to the reduplicant, such an Max-BR. Max-BR(Tone) is a B-R faithfulness constraint that requires all Tones in the base to be present in the reduplicant. When base material is not copied, this is attributed to markedness dominating Max-BR(Tone). When base material is copied, Max-BR(Tone) dominates markedness. In both cases high-ranked input-output faithfulness, Max-IO(Tone), ensures the survival of the input Tones on the base syllable. The first two types of re-duplication will thus need construction-specific constraint rankings, with *Tone ≫ Max-BR(Tone) for the Toneless verbal reduplication, and Max-BR(Tone) ≫ *Tone for Tone-copying re-duplication with classifiers. The third type of re-duplication, for adjectives, is presumably like the first since the re-duplication has lost the base Tones, but with the addition of a H-Toned suffix. Compared with previous analyses based on prosodic templates, the alternative analysis can be re-explained through the framework of OT as a few major constraints and their rankings show the adequacy of the analysis.
Abstract
This paper applies Optimality Theory (OT) to the field of Tone-change types of re-duplication in Standard Chinese, so as to make the study more scientific and promising. Standard Chinese has several types of re-duplication. Kinship nouns reduplicate without their Tone, producing a phonologically Toneless reduplicant. Classifiers reduplicate with Tones intact. Adjectives reduplicate with a fixed high Tone on the second half of the reduplicant. In OT treatments of re-duplication, base-reduplicant identity is produced by faithfulness constraints relating the base to the reduplicant, such an Max-BR. Max-BR(Tone) is a B-R faithfulness constraint that requires all Tones in the base to be present in the reduplicant. When base material is not copied, this is attributed to markedness dominating Max-BR(Tone). When base material is copied, Max-BR(Tone) dominates markedness. In both cases high-ranked input-output faithfulness, Max-IO(Tone), ensures the survival of the input Tones on the base syllable. The first two types of re-duplication will thus need construction-specific constraint rankings, with *Tone ≫ Max-BR(Tone) for the Toneless verbal reduplication, and Max-BR(Tone) ≫ *Tone for Tone-copying re-duplication with classifiers. The third type of re-duplication, for adjectives, is presumably like the first since the re-duplication has lost the base Tones, but with the addition of a H-Toned suffix. Compared with previous analyses based on prosodic templates, the alternative analysis can be re-explained through the framework of OT as a few major constraints and their rankings show the adequacy of the analysis.
참고문헌 (22)
- 김정아, "한국어 부분 중첩 현상의 재해석", 언어, 29(3), pp.281~305 (2004), 한국언어학회
- 金椿姬, "現代中國語 重疊形式의 어법기능 연구", 석사, 중어중문학과, pp.1994
- 오문의, "현대중국어 단음절형용사의 AA식 중첩 조건", 중어중문학, 39(39), pp.47~72 (2006), 한국중어중문학회
- 이영월, "표준 중국어 친족명사 중첩에서의 경성화 과정 분석", 중국어문학논집, 78(78), pp.39~53 (2013), 중국어문학연구회
- 이은정, "현대 중국어 경성음절의 최적성 분석", 중국어문학논집, 43(43), pp.247~267 (2007), 중국어문학연구회
- 이주화, "현대 중국어 중첩의 형태론적 분석", 중국학연구, 38(38), pp.75~92 (2006), 중국학연구회
- 장재웅, "표준 중국어 의성어 부분 중첩 현상의 음운론적 분석", 중국어문학논집, 68(68), pp.7~28 (2011), 중국어문학연구회
- 趙元任, "漢語口語語法" (2010), 商務印書館
- Archangeli, D., "최적성이론" (1999), 한신문화사
- 엄익상, "표준중국어음운론" (2005), 한국문화사
- Kager, R., "Optimality Theory" (1999), Cambridge University Press, Cambridge
- 김진형, "형태론" (2008), 한국문화사
- Kenstowicz, M., "생성문법의 음운론" (1997), 한신문화사
- Chen, "Tone Sandhi: Patterns across Chinese Dialects" (2000), Cambridge University Press
- McCarthy, J. J., "Generalized Alignment. ROA7-0000", ~ (1993)
- McCarthy, J. J., "Faithfulness and Reduplicative Identity. ROA60-0000", ~ (1995)
- 김진형, "최적성이론의 주제별 안내" (2003), 한국문화사
- 손남호, "성조" (2013), 역락
- 包智明, "生成音系學理論及其應用" (1997), 中國社會科學出版社
- 李鏡兒, "現代漢語擬聲詞硏究" (2007), 學林出版社
- 路繼倫, "漢語輕聲的優選論分析" (2012), 天津大學出版社
- 王洪君, "漢語非線性音系學" (2008), 北京大學出版社
