가야금병창의 복원 및 레퍼토리 확장을 위한 구성원리 연구

Abstract

This paper is about a comparative analysis of Sangjwa Datum part from the Sugungga - a representative Pansori song which was recreated into Gayageum Byungchang - of master An Sook-sun, against the original Gayageum Byungchang by Oh Tae-seok and original Pansori by Jeong Gwang-su. By doing so, it sought to derive the principle of composition of Gayageum Byungchang. The Sangjwa Datum part from the Sugungga was not passed on to master Park Gwi-hui from master Oh Tae-seok, who had performed during the Japanese colonial period. However, this part was later expanded and restored by master An Sook-sun. And it was during this period when the song was re-arranged and inherited under the influence of Jeong Gwang-su, An’s Pansori teacher. An Sook-sun’s Gayageum Byungchang displays a unique and modern style. Compared to the early Gayageum Byungchang and Pansori songs, it features lyric completeness, melody and rhythms that befits the Imyeon, and an extended technique of colorful accompaniment which reflects the rhythmic patterns and lyric-setting manners. Such principle of composition may be used as a reference methodology for Gayageum Byungchang restoration and repertoire expansion in the future.