당시의 흥성과 신라 시문학에의 영향

Abstract

Poetry is usually regarded as the greatest genre of Chinese literature. The poetry of the Tang(唐) period is the so-called top of the Chinese literature. Many people have researched it and widely introduced it to around the world. One of the reasons is the fact that the grand empire settled and flowered, finishing conflicts over hundreds of years since the last period of the Han kingdom. Developing cultural assets such as lyrical odes of the previous age, calligraphies, paintings, and music, it resulted in making poetry. Since TangTaizong(唐太宗) governed, there were many kings who encouraged the studying and writing of poetry themselves. In the national exam, students were selected by writing poetry and then the wave of making poetry actively was formed. With the strong power of the nation, kingdoms expanded their land by getting frontiers which were differing from geography and customs through war with other countries and then the scope of the trip and industry was extended. According to the culture and custom of foreign countries through an open-door policy, poetry flowed in and poetry materials also varied. In addition to it, a variety of sources were more available to writers because the poetry genre peaked in the period of Sheng tang(盛唐) and fell down in the rebellion of Anlüshan(安祿山). All of these reasons affected the poetry genre. Silla(新羅), as a close country, often exchanged with the Kingdom of Tang(唐) through alliance before unification and by studying abroad. They came into a close relationship with each other. The poetry of Tang, which is written in Chinese characters, actually influenced the intellectual class of Silla(新羅), and they expressed their feelings in work. We might think there are a lot of work made by many people who exchanged with Tang. Unfortunately, it is no longer possible to find other works. Therefore, I would like to introduce their works and its general features focusing on unknown people through this research by referencing existing literature.