어당 이상수의 「출사표구해」와 『고문석의』의 영향

Abstract

Yi Sang-soo (Eodang) is a literary man who inherited the tradition of the Tang-Song School of the late Joseon Dynasty. 「Chushibiao Guhae」 is a Tang-Song School criticism written by Yi Sang-soo in his early years. It shows many traces of adopting the 『Guwenxiyi』 of Lim Yunming, a writer from the late Ming and early Qing Dynasties. 『Guwenxiyi』 is a critical anthology that analyzes how the writing styles were used in famous Chinese prose works based on the Volume-Chapter-Phrase-Word method of writing. For it is an example of Tang-Song literati utilizing related Chinese writing, it acts as a clue to understanding the origins of the writing and criticism. Since 「Chushibiao Guhae」 was influenced by 『Guwenxiyi』, it was composed in the same manner. It is divided into minor notes, written in small letters for each phrase of the work, and the main note, written in large letters at the end of the work. The main note is a general review of the entire work of 「Chushibiao」. The minor notes are commentaries on several sentences in the work. It helps readers understand the work by analyzing each sentence's writing style and content in detail. The types of commentaries can be divided into composition, technique, and implications. The composition followed sections and chapters and comprised main line, essentials, paragraphs, and theme. Writing techniques include Hoeung(=Response), Binju(=Guest and host), Yanggo(=Two shares), Hamchuk(=Implying), Donjwa(=Reversal) and Jinjeong(=Emotion). Implications are used to provide relevant information necessary for understanding phrases, such as implications of the phrases and words. The most noteworthy part of the work is the relationship with the main note, including bonnyeong, golja, and jinjeong.