18~19世紀 朝鮮 集字碑 一考 -顏真卿集字碑 為中心
A Study on Korean Stela of 18th to 19th Centuries
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盛行於唐一代的集字碑在海東具有悠久的傳統. 特別值得注意的是, 海東樹立集字碑傳統的起源與發展與中國碑 帖的流入與受容有著密切的關係, 即海東集字碑可以看作一種對中國碑帖爲代表的外來文化的積極受容的產物. 集 字碑的研究對於深入考察審美趨向及外來文化的受容樣相都具有十分重要的意義. 海東集字碑的傳統可以追溯到9世 紀, 通過新羅·高麗時代金石資料的考察可以發現這一時期的集字碑中王羲之行書有著絕對的優勢, 以王羲之行書 碑帖集字而成的碑刻也整體再現了晉代書風. 進入朝鮮時代, 特別是18~19世紀集字碑開始大量樹立的同時集字碑的 字體·構成·被撰者等多方面都發生了顯著變化. 最爲明顯的改變便是顏真卿集字碑的盛行, 更為值得注意的詩集 顏字碑風潮是受到客觀條件, 審美取向與文化認同, 家門影響, 社會教化等多方面影響繼而形成的.
Abstract
There is a kind of stela that gathers characters once prevailed in Tang Dynasty is a very long tradition in Haedong. What’s worth us paying special attention is that the origination and development of the stela in Headong has a very close relationship with the inflow and capacity of the combination of tablet inscription and rubbing in China. In other words, the stela in Headong can see as a positive acceptance product of foreign cultural representing the tablet in China, and the research in the stela has a very important meaning to both delve into aesthetic trends and acceptance of foreign cultures. The tradition of stela in Headong dates back to the ninth century, through the investigation in the data of goldstone in woosong era and Korai period, we can find that running script of Wang Xizhi has a absolute advantage in the stela in Headong and meanwhile the inscription of Wang Xizhi also shows in the handwriting style in Jin Dynasty. Back to Korea times, especially 18 to 19 centuries, a large amount of stela was set up and in the meantime many factors such as fonts, constitutions and people who was written in the stela all had a significant change. The most obvious change is that the stela wrote about Yan Zhenqing suddenly became popular, and this kind of change is under the influence of objective condition, aesthetic orientation, cultural identity, family influence social education and so on.
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