우왕 13년 후비 謹妃의 지원으로 조성된 불교경판의 성격

Abstract

This paper attempt to analyze into the historical & cultural character of the Buddhist―woodblock that the Queen―Geun of the King―Wu have engravated with the support in the King―Wu's 13th year of the Goryeo―Dynasty. the Buddhist―woodblock has been contained three kinds : the Vajracchedika―prajnaparamita―Sutra(金剛般若波羅蜜經) of Cheonro(川老)’s annotation & the Puxianxingyuanpin―Biexingshu of the Avatamsaka―Sutra(大方廣佛華嚴経普賢行願品别行䟽) & the Daehyebogakseonsaseo(大慧普覺禪師書). First, this engravated work of the Buddhist―woodblock contained a ceremony to pray for the well―being of the Goryeo―royal family. this ceremony of origin was related to the legitimacy of the royal―authority. Second, this original text of the Buddhist―woodblocks were reflected the external perception that it was recognized on the Ming―Dynasty(明). however, these this original text were also reflected the independent authority of the Goryeo―royal family. Third, these Buddhist―woodblocks were Buddhist record heritage that the family of the Naong Hyegeun(懶翁 慧勤) & Hwanam Honsu(幻菴 混修) have valued. they have led the Buddhist community of the present age. Finally, among the participants of this engravated work have included the monks & the secular people who had an intimate relationship with the Queen―Geun. In particular, among the monks were also included the family of the Naong Hyegeun & Hwanam Honsu, and the Mogeun Lee Saek(牧隱 李穡) that it has actived as the Confucian & Buddhist intellectual man of the present age.