1950년대 사진시 연구 - 학원매체에 수록된 작품을 중심으로

Abstract

This thesis examines the connotation of early photographic poetry, which was published in the medium of the youth literary journal 『Hakwon』, published in the 1950s. Created during the Korean War, the 『Hakwon』 media established a planning strategy to harmonize the literary and artistic genres together by arranging literature and photography, a visual element that can stimulate the eyes and interest of readers, as a comprehensive literary magazine for the enlightenment of young people. Among them, photo poetry, which appears in the form of a graft of poetry and photography, is an attempt to pursue the diversity of literature and art after the war, but also the possibility that it may be the result of other external intentions cannot be excluded. Considering the circumstances of the 1950s when the media could not be free from the problem of ideology, there is a possibility that photographic poetry was not irrelevant to the political power of the time. Therefore, this study was intended to examine what the photographic poetry contained in the 『Hakwon』 published in the 1950s. The subject of the study was the works from 1954 to 1957, when photo poetry first appeared in 『Hakwon』. As a result, photographic poetry, born in the midst of the political chaos in the 1950s, presents a 'example' and 'perspective' to someone in terms of ideology and culture, and is misused in matters of education, affirmation of lessons, and mobilization through youth culture. There is a part that has been This means that the political lines of South Korean society, which followed the US-centered anti-communist Cold War order system at the time, had various influences on the mass media, and that the works contained in the media of 『Hakwon』 could not be free from this social reality. In the post-Korean War, excessive technological development, extreme loss of humanity, and the gloomy reality without a future, the 『Hakwon』 media tried a new genre called photo poetry, a fusion form of literature and art. However, behind the scenes, there is a political message of the time, which is also related to the ideological characteristics and poetic discourse of the medium.