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“헛간방화 에피소드”에 드러난 포크너의 개작의도

Faulkner’s Intention of Revision Revealed in the “Barn Burning Episode”

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The contents and technique of the barn burning episode in the opening chapter of The Hamlet are different from that of its original story, the “Barn Burning,” in the four aspects. Firstly, the story of Sarty is eliminated. Secondly, there is an additional scene, a war of nerves between de Spain Major and Ab after a fire in the Major’s barn. Thirdly, Flem becomes the main character. Fourthly, the narrator, Ratliff, delivers stories objectively with humor. In the revision, Faulkner intercepts the readers’ recognitions―the radical resistance against an unfair sharecropping contract and lien system in the New South can be justified―by removing dramatic tension between Ab and Sarty. The writer devalued Ab’s behavior as an immoral conduct that is just a result of personal discontent. Moreover, Faulkner does not write seriously about the cause of conflict between Major and Ab. The writer describes these stories objectively and humorously in order to appease anger of Ab who is a poor white sharecropper. It is in this manner, Faulkner reduces the symbolic meaning of Ab’s arson. Faulkner revised the “Barn Burning,” which contains serious and revolutionary matters, into the barn burning episode written in a conservative and humorous way. Faulkner’s intention of revision is related with the decay of the Populist agrarian revolt and the return to laissez faire economism in the recovery momentum of The Great Depression. However, his ultimate concerns are not focused on the class warfare of the poor whites, but on the natural aristocrat’s social control.

Abstract

The contents and technique of the barn burning episode in the opening chapter of The Hamlet are different from that of its original story, the “Barn Burning,” in the four aspects. Firstly, the story of Sarty is eliminated. Secondly, there is an additional scene, a war of nerves between de Spain Major and Ab after a fire in the Major’s barn. Thirdly, Flem becomes the main character. Fourthly, the narrator, Ratliff, delivers stories objectively with humor. In the revision, Faulkner intercepts the readers’ recognitions―the radical resistance against an unfair sharecropping contract and lien system in the New South can be justified―by removing dramatic tension between Ab and Sarty. The writer devalued Ab’s behavior as an immoral conduct that is just a result of personal discontent. Moreover, Faulkner does not write seriously about the cause of conflict between Major and Ab. The writer describes these stories objectively and humorously in order to appease anger of Ab who is a poor white sharecropper. It is in this manner, Faulkner reduces the symbolic meaning of Ab’s arson. Faulkner revised the “Barn Burning,” which contains serious and revolutionary matters, into the barn burning episode written in a conservative and humorous way. Faulkner’s intention of revision is related with the decay of the Populist agrarian revolt and the return to laissez faire economism in the recovery momentum of The Great Depression. However, his ultimate concerns are not focused on the class warfare of the poor whites, but on the natural aristocrat’s social control.

참고문헌 (18)

  1. 최수연, "「성장소설로서의 “헛간방화”: 애브너 스노웁스의 역할 다시 생각하기", 경성대학교 인문과학논총, 3, pp.287~301 (2001)
  2. Atkinson, Ted, "Faulkner and the Great Depression" (2006), U of Georgia P
  3. Billinglea, Oliver, "Fathers and Sons: The Spiritual Quest in Faulkner’s ‘Barn Burning", Mississippi Quarterly, 44(3), pp.287~308 (1991)
  4. Brinkley, Alan, "The Unfinished Nation" (2000), McGraw-Hill
  5. Brown, Calvin S, "A Glossary of Faulkner’s South" (1977), Yale UP
  6. Creighton, Joanne V, "William Faulkner’s Craft of Revision" (1977), Wayne State UP
  7. Faulkner, William, "Barn Burning. in:Collected Stories of William Faulkner", pp.3~25 (1995), Vintage
  8. Faulkner, William, "The Hamlet" (1991), Vintage
  9. Hiles, Jane, "Kinship and Heredity in Faulkner’s ‘Barn Burning", Mississippi Quarterly, 39(3), pp.329~337 (1985)
  10. Moreland, Richard C, "Faulkner and Modernism: Rereading and Rewriting" (1990), U of Wisconsin P
  11. Parr, Susan Resneck, "The Moral of the Story: Literature, Values, and American Education" (1982), Teachers College P
  12. Railey, Kevin, "Paternalism and Liberalism: Contending Ideologies in Absalom, Absalom!", Faulkner Journal, 7(1-2), pp.115~132 (1991)
  13. Railey, Kevin, "Natural Aristocracy" (1999), U of Alabama P
  14. Roberts, James L, "Cliffs Notes on Faulkner’s Short Stories" (1997), Cliffs Notes
  15. Stineback, David C, "Shifting World: Social Change and Nostalgia in the American Novel" (1976), Associated UP
  16. Swiggart, Charles Peter, "The Art of Faulkner’s Novels" (1962), U of Texas P
  17. Wiener, Jonathan M, "Social Origins of the New South: Alabama, 1860-1885" (1978), Barton Rouge Louisiana State UP
  18. Zender, Karl F, "Character and Symbol in ‘Barn Burning.’", College Literature, 16(1), pp.48~59 (1989)

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