본문 바로가기
KERD
논문KCI 등재

영화<아멜리에>의 복식에 나타난 색채 이미지에 관한 연구

Costume and Color Image of the Movie <Amelie Of Montmartre>

1

조회

0

다운로드

4

인용

0

참고문헌

키워드

초록

The progress of the movies largely depends on images, the harmony of colors that is the most visual effect in the movies can not be ignored and color is the crucial factor supporting the visual side of movie costumes and symbolic function. The color is the crucial factor to express the message to convey. Through the specific color, the movie makes audiences remind the specific object or words acquired from their experiences and induce atmosphere more familiar and make audiences concentrate on that of the movies and may convey symbolic meaninge. In this research, stydy the color image and symbolism conveyed on the movie based on the analysis for movie costumes the visual media and color images and analyze the symbolic meaning of colors conveyed on the costumes of characters of <Amelie Of Montmartre>. The movie <Amelie Of Montmartre> uses green and red color as main color over the movie and as time goes by the movie shows the conditional and psychological changes of characters by using gray, orange and white colors. That is, through the association of color and symbolic meaning of green and rad, gray, orange and white color, present overall atmosphere and subject of the movie. Like this, the colors holding sway of the atmosphere of a movie, as the most distinct method inducing the overall flow of a movie, can raise the completion level by drawing the symbolism the colors convey. And I expect that the research for the movie costumes expressed by using various colors may be continued to recognize the importance of color on which the symbolic effect act is growing in our time.

Abstract

The progress of the movies largely depends on images, the harmony of colors that is the most visual effect in the movies can not be ignored and color is the crucial factor supporting the visual side of movie costumes and symbolic function. The color is the crucial factor to express the message to convey. Through the specific color, the movie makes audiences remind the specific object or words acquired from their experiences and induce atmosphere more familiar and make audiences concentrate on that of the movies and may convey symbolic meaninge. In this research, stydy the color image and symbolism conveyed on the movie based on the analysis for movie costumes the visual media and color images and analyze the symbolic meaning of colors conveyed on the costumes of characters of <Amelie Of Montmartre>. The movie <Amelie Of Montmartre> uses green and red color as main color over the movie and as time goes by the movie shows the conditional and psychological changes of characters by using gray, orange and white colors. That is, through the association of color and symbolic meaning of green and rad, gray, orange and white color, present overall atmosphere and subject of the movie. Like this, the colors holding sway of the atmosphere of a movie, as the most distinct method inducing the overall flow of a movie, can raise the completion level by drawing the symbolism the colors convey. And I expect that the research for the movie costumes expressed by using various colors may be continued to recognize the importance of color on which the symbolic effect act is growing in our time.

참고문헌 (20)

  1. 김유선, "영화의상디자인", pp.5~125 (2009), 커뮤니케이션북스
  2. 김문정, "영화의상에 표현된 색의 상징적 이미지에 관한 연구 : 영화 「영웅」을 중심으로", 석사, pp.2004
  3. 김다정, "영화 "위대한 유산(Great Expectations)"의 의상에 나타난 색채의 상징적 의미", 석사, pp.2007
  4. 지명혁, "영화예술의 이해", pp.32~ (2009), 집문당
  5. 김시아, "로코코 시대를 배경으로 한 영화의상 연구 : 「마리 앙투아네트」와 「공작부인」을 중심으로", 석사, pp.2010
  6. 고현철, "문학과 영화의 지평과 해석", pp.23~ (2009), 새미
  7. 백진배, "영화, 디자인으로 보기", pp.114~ (2001), 디자인하우스
  8. 송준, "아웃사이더를위한변명", pp.194~199 (2007), 심산
  9. 이선형, "예술영화읽기", pp.337~ (2005), 동문선
  10. 로랑티라르, "거장의노트를훔치다", pp.237~ (2009), 나비장책
  11. 김영민, "제3의 임상미술치료개론", pp.208~ (2010), 이담북스
  12. 스에나가 타미오, "색채심리", pp.83~123 (2006), 예경
  13. 최경원, "붉은색의 베르사체 회색의 아르마니", pp.26~126 (2007), 길벗
  14. 김용숙, "컬러심리커뮤니케이션", pp.83~ (2008), 일진사
  15. 김근안, "색채심리", pp.33~ (2007), 솔과학
  16. 김진한, "색채의 영향", pp.42~ (2003), 시공사
  17. 윤지윤, "무채색의 색채 이미지와 복식 디자인", 석사, pp.1998
  18. Francois, Boucher, "20000Years of Fashion", pp.110~ (2001), Harry N. Abrams,Inc
  19. I. RI 색채연구소, "COLOR COMBINATION", pp.21~ (2003), 영진닷컴
  20. 허버트 제틀, "영상 제작의 미학적 원리와 방법", pp.85~ (2007), 커뮤니케이션북스

관련 논문AI추천

이 간행물의 다른 논문 (9건)