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빈센트 반 고흐 회화이미지를 응용한 의상디자인 - 글루에 의한 핸드 드로잉 기법을 중심으로 -

A Study of Fashion Design on Application of Vincent van gogh's Painting - Focusing on hand drawing by glue -

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초록

This study introduces the line drawing image, dynamic and rythmical at Vincent van Gogh's paintings by brushstrokes. It purposed to present the development possibilities of artistic and creative fashion design to expand the representation of the area by attempting to express works ,using glue as a medium. Many designers of existing have already extended method and area of expression using of fabric in addition to rubbers, woods, metals, feathers in fashion. According to one of previous studies <A study on Costume Designs Applying Techniques of Ostrich Feathers Craft, Park Bo-hyung (2004)Ewha womans university the graduate school of design thesis>was designed costumes using feathers, The other of previous studies <A Study on Dress Design Based on the Formative Characterics of Junk Art: Focused on the expression method of junk art, Jung Han-Na(2005) Ewha womans university the graduate school of design thesis>was used abandoned things(Junk) as material of costume and It had been studied variously on additional materials and others. Contents and methods of this study were analized Vincent van Gogh's paintings for consideration theoretical background of this study through literature, photo of arts data colletions and through reference internet materials which were collected work practices application of the paintings of Van Gogh‘s. It was reserched concerning hand drawing concepts and techniques applications for fashion design, collected and explained. Based on this, It reconstructed as featured in the paintings of Vincent Van Gogh revealed the structure of the line as a motif. It was made four kinds of work clothes showing Van Gogh's intense image by using glue and woolen yarn as a medium. In this study, costume design was introduced drawing technique using glue and yarn Van Gogh painting to express formative. A painting in terms of idea fashion design has been occupied an important position until now through this study once again confirmed the importance. Glue and yarn were confirmed the potential in the hand drawing's materials to be developed as the uniqueness of material. On the other hand, There are difficulties. For example, glue color limits and the thickness of glue melts ones. It has to continue researching and development in the future. Because it needs a lot of the necessary technical elements.

Abstract

This study introduces the line drawing image, dynamic and rythmical at Vincent van Gogh's paintings by brushstrokes. It purposed to present the development possibilities of artistic and creative fashion design to expand the representation of the area by attempting to express works ,using glue as a medium. Many designers of existing have already extended method and area of expression using of fabric in addition to rubbers, woods, metals, feathers in fashion. According to one of previous studies <A study on Costume Designs Applying Techniques of Ostrich Feathers Craft, Park Bo-hyung (2004)Ewha womans university the graduate school of design thesis>was designed costumes using feathers, The other of previous studies <A Study on Dress Design Based on the Formative Characterics of Junk Art: Focused on the expression method of junk art, Jung Han-Na(2005) Ewha womans university the graduate school of design thesis>was used abandoned things(Junk) as material of costume and It had been studied variously on additional materials and others. Contents and methods of this study were analized Vincent van Gogh's paintings for consideration theoretical background of this study through literature, photo of arts data colletions and through reference internet materials which were collected work practices application of the paintings of Van Gogh‘s. It was reserched concerning hand drawing concepts and techniques applications for fashion design, collected and explained. Based on this, It reconstructed as featured in the paintings of Vincent Van Gogh revealed the structure of the line as a motif. It was made four kinds of work clothes showing Van Gogh's intense image by using glue and woolen yarn as a medium. In this study, costume design was introduced drawing technique using glue and yarn Van Gogh painting to express formative. A painting in terms of idea fashion design has been occupied an important position until now through this study once again confirmed the importance. Glue and yarn were confirmed the potential in the hand drawing's materials to be developed as the uniqueness of material. On the other hand, There are difficulties. For example, glue color limits and the thickness of glue melts ones. It has to continue researching and development in the future. Because it needs a lot of the necessary technical elements.

참고문헌 (15)

  1. H. Anna Sue, "Vincent van Gogh-A Self-Portrait in Art and Letters", pp.6~ (2007), 생각과 나무
  2. 이자벨 쿨, "Van Gogh-반 고흐가 말하는 반 고흐 삶과예술", pp.125~ (2007), 도서출판 예경
  3. 로버트 윌리엄, "서양미술 역사와 이론의 만남", pp.205~207 (2011), 명인 문화사
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  5. 황세경, "미술치료를 위한 작품연구 : 빈센트 반고흐의 작품을 중심으로", 석사, pp.2003
  6. 鄭在煥, "뇌손상환자에서 갑성선 기능 검사에 관한 연구", 석사, pp.1985
  7. 이일, "현대세계미술전집 고흐편", pp.160~ (1973), 금성 출판사
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  9. 안나 토르페롤로, "빛을 담은 영혼의 화가 반 고흐" (2008), 마로니에 북스
  10. 이 진, "빈센트 반 고호(Vincent Van Gogh)의 작품을 응용한 의상디자인 연구 : 자수(Embroidery)기법을 중심으로", 석사, 의상디자인, pp.2001
  11. 김유라, "드로잉 기법에 의한 패션일러스트레이션 연구 : 재질감 표현을 중심으로", 석사, pp.2011
  12. 김성호, "건축의 환경적미 드로잉 기법과 요소", pp.11~ (2004), 도서출판 신기술
  13. 하영식, "현대 드로잉 기법", pp.19~ (2010), 도서출판 예당
  14. 최기득, "드로잉 기법", pp.12~ (1994), 예경
  15. 이은영, "회화를 응용한 현대의상-칸딘스키의 비구상회화를 중심으로", 석사, pp.1990

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