본문 바로가기
KERD
논문KCI 등재

영화속에 나타난 색채 이미지연구 - 위대한 개츠비의 영화의상과 배경을 중심으로 -

A study of color image in the movies - Focused on the movie costume and circumstance of ‘The Great Gatsby’ -

0

조회

0

다운로드

5

인용

0

참고문헌

키워드

초록

This study researched the color images of movie costume and circumstance in <The Great Gatsby>, and the methodology is focused to DVD and literatures of <The Great Gatsby>, and contents in newspaper, internet newsThe results are as followings. First, looking at the color image expressed in the costume, Jay Gatsby’s materialistic character is expressed as colorful golden suit, and idealistic love toward old lover is expressed as pure white suit. Nick carraway wore the black suit in the scene unveiling his moral aspect, and the brown coat showed his conservative favor and believable character. Also, Day Jay Buchanan wore the purple dress implying her elegance as a high class lady, and the golden dress is the symbol of materialism. Tom buchanan’s blue shirts and blue suit represent the duplicity of his look as a gentleman and his corruption, and his black suit means the dignified and majestic authority. Second, as the color image in circumstance of movie, impossible love with Day Jay is represented in shiny green light, and the red mad party in the apartment in New York shows their violence and extreme hedonism. Jay Gatsby’s yellow car shows his fancy life with money, fortune, and honor. And, contrary to his colorful golden residence, the outside gray zone refers to his vain and devastated life. Likewise, with the circumstance image industry is growing, the color image in movies has huge symbolistic role in delivering the flow and image of the movie. And, to suggest the new direction of movie costume, further studies of various expressing method of color image are needed.

Abstract

This study researched the color images of movie costume and circumstance in <The Great Gatsby>, and the methodology is focused to DVD and literatures of <The Great Gatsby>, and contents in newspaper, internet newsThe results are as followings. First, looking at the color image expressed in the costume, Jay Gatsby’s materialistic character is expressed as colorful golden suit, and idealistic love toward old lover is expressed as pure white suit. Nick carraway wore the black suit in the scene unveiling his moral aspect, and the brown coat showed his conservative favor and believable character. Also, Day Jay Buchanan wore the purple dress implying her elegance as a high class lady, and the golden dress is the symbol of materialism. Tom buchanan’s blue shirts and blue suit represent the duplicity of his look as a gentleman and his corruption, and his black suit means the dignified and majestic authority. Second, as the color image in circumstance of movie, impossible love with Day Jay is represented in shiny green light, and the red mad party in the apartment in New York shows their violence and extreme hedonism. Jay Gatsby’s yellow car shows his fancy life with money, fortune, and honor. And, contrary to his colorful golden residence, the outside gray zone refers to his vain and devastated life. Likewise, with the circumstance image industry is growing, the color image in movies has huge symbolistic role in delivering the flow and image of the movie. And, to suggest the new direction of movie costume, further studies of various expressing method of color image are needed.

참고문헌 (19)

  1. 이화영, "영화의상에서 색채와 재질에 따른 이미지 분석", 패션과니트, 2(1), pp.1~12 (2004)
  2. 방경란, "색채의 의미전달 역할에 관한 연구-영화 ‘마지막 황제’를 중심으로", 기초조형학연구, 5(2), pp.169~180 (2004), 한국기초조형학회
  3. 이예은, "영화<The Aviator>의 복식과 색채 이미지", 패션 비즈니스, 10(5), pp.28~44 (2006), 한국패션비즈니스학회
  4. 왕홍굉, "영화<황후화>에 나타난 복식 색채 이미지 연구", 석사, 의류학, pp.2010
  5. 김경희, "영화<아멜리에>의 복식에 나타난 색채 이미지에 관한 연구", 패션과 니트, 10(1), pp.99~112 (2012), 한국니트디자인학회
  6. 박진수, "영화의상에 표현된 색의 심상(心象)과 서사(敍事)적 상징성의 해석 - 이미지스케일의 효용과 한계에 관하여 -", 한국색채학회논문집, 28(1), pp.229~239 (2014), 한국색채학회[DOI]
  7. 이우연, "장예모 감독의 영화의상에 나타난 색채이미지 분석", 석사, 디자인·도예교육전공, pp.2013
  8. 손미숙, "20세기 전반기 미국여성 복식에 대한 연구", 석사, pp.1987
  9. 배민정, "1920년대 플래퍼 룩을 응용한 현대 패션디자인 연구", 석사, 의상디자인, pp.2008
  10. 백영자, "서양복식문화", pp.340~ (2006), 국방송통신대학교출판부
  11. 김혜진, "영화 ‘위대한 개츠비’에 나타난 1920년대 패션과 헤어스타일 분석: 1974년과 2013년 작품 비교를 중심으로", 한국미용예술학회지, 7(3), pp.199~210 (2013)
  12. 배수정, "현대패션과 서양복식 문화사", pp.290~291 (2008), 수학사
  13. 조신현, "서양복식문화의 현대적 이해", pp.275~ (2009), 경춘사
  14. 배수정, "현대패션과 서양복식 문화사", pp.292~ (2008), 수학사
  15. 고애란, "서양의 복식문화와 역사", pp.371~ (2008), 교문사
  16. 밸러리 멘덴스, "20세기 패션", pp.73~75 (2003), 시공사
  17. 김문정, "영화의상에 표현된 색의 상징적 이미지에 관한 연구 : 영화 「영웅」을 중심으로", 석사, 예술경영, pp.2004
  18. 김나라, "영화 오프닝 타이틀에 나타난 의미화과정에서 색채의 역할에 관한 연구", 석사, 응용미술학, pp.2006
  19. 탁병기, "왜곡된 "미국의 꿈" : 『위대한 개츠비』에 나타난 등장인물들의 성격 연구", 석사, 영어교육, pp.2010

관련 논문AI추천

이 간행물의 다른 논문 (9건)