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『플로스 강의 물방앗간』에 나타난 죠지 엘리엇의 여성주의적 인식과 이상

The Mill on the Floss: A Study of George Eliot’s Feminist Perspective and Idealism

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This study examines George Eliot’s feminist idealism. The feministic aspect George Eliot expressed in The Mill on the Floss seems vague and obscure in some respects as opposed to being recognizable and definitive with clear boundaries. This study suggests that such obscurities can serve as clues to a new, alternative interpretation. It seems that Eliot’s vagueness and obscurity originate from her own a priori intuition that transcends the generation and the philosophy of her times. As an interpretational tool, this study uses the dual structure of Eliot’s idealistic perspective and its more realistic practice. In such a structure, Eliot’s feminism is understood as a will to extend beyond the feminism of her times or an alternative for future. Moreover, applying this method of interpretation to an example that most strongly reflects the obscurity of Eliot’s feminism, including the death of Maggie and Tom leads to a more proactive and positive criticism. For example, the conflict and opposition she imbued in Tom and Maggie and their subsequent death in The Mill on the Floss can be interpreted as the reflection of Eliot’s propensity towards an idealistic harmony, and the reconciliation of femininity and masculinity based on realism. This study concludes that the death of Tom and Maggie in The Mill on the Floss, which is often regarded as the limitation of Eliot’s feminism or conservative attitude, can also be interpreted as her positive exploration and proactive practice of an idealistic harmony between femininity and masculinity that extends beyond the philosophical trends of her time.

Abstract

This study examines George Eliot’s feminist idealism. The feministic aspect George Eliot expressed in The Mill on the Floss seems vague and obscure in some respects as opposed to being recognizable and definitive with clear boundaries. This study suggests that such obscurities can serve as clues to a new, alternative interpretation. It seems that Eliot’s vagueness and obscurity originate from her own a priori intuition that transcends the generation and the philosophy of her times. As an interpretational tool, this study uses the dual structure of Eliot’s idealistic perspective and its more realistic practice. In such a structure, Eliot’s feminism is understood as a will to extend beyond the feminism of her times or an alternative for future. Moreover, applying this method of interpretation to an example that most strongly reflects the obscurity of Eliot’s feminism, including the death of Maggie and Tom leads to a more proactive and positive criticism. For example, the conflict and opposition she imbued in Tom and Maggie and their subsequent death in The Mill on the Floss can be interpreted as the reflection of Eliot’s propensity towards an idealistic harmony, and the reconciliation of femininity and masculinity based on realism. This study concludes that the death of Tom and Maggie in The Mill on the Floss, which is often regarded as the limitation of Eliot’s feminism or conservative attitude, can also be interpreted as her positive exploration and proactive practice of an idealistic harmony between femininity and masculinity that extends beyond the philosophical trends of her time.

참고문헌 (27)

  1. 이순구, "죠지 엘리어트와 빅토리아조 페미니즘" (2003), 동인
  2. Adam, Ian, "“The Ambivalence of The Mill on the Floss.” George Eliot: A Century Tribute", pp.122~135 (1982), Macmillan
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  4. Auerbach, Nina, "The Power of Hunger: Demonism and Maggie Tulliver", Nineteenth Century Fiction, 30(2), pp.150~171 (1975)
  5. Barrett, Dorothea, "Vocation and Desire: George Eliot’s Heroines" (1989), Routledge
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  8. Carroll, David, "George Eliot and the Conflict of Interpretations: A Reading of the Novels" (1992), Cambridge UP
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  10. Dodd, A. Valerie, "George Eliot: An Intellectual Life" (1990), St. Martin’s
  11. Donovan, Josephine, "Feminist Theory: The Intellectual Tradition of American Feminism" (1997), Continuum
  12. Eliot, George, "The Mill on the Floss" (1979), Penguin
  13. Eliot, George, "Selected Essays: Poems and Other Writings" (1990), Penguin
  14. Fuchs, Eva, "Eliot’s The Mill on the Floss", Explicator, 52(2), pp.79~81 (1994)
  15. Gilbert, Sandra M., "The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination" (1979), Yale UP
  16. Gilligan, Carol, "In a Different Voice" (1982), Harvard UP
  17. Jacobus, Mary, "“The Question of Language: Men of Maxims and The Mill on the Floss.” Writing and Sexual Difference", pp.37~52 (1980), U of Chicago P
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  19. Landa, Jose Angel Garc, "The Chains of Semiosis: Semiotics, Marxism, and the Female Stereotypes in The Mill on the Floss", Language & Literature, 27(1), pp.32~50 (1991)
  20. Leavis, F. R., "The Great Tradition" (1974), Pelican
  21. Levine, George, "Intelligence as Deception: The Mill on the Floss", PMLA, 80(4), pp.402~409 (1965)
  22. Miller, Nancy K., "Emphasis Added: Plots and Plausibilities in Women’s Fiction", PMLA, 96(1), pp.36~48 (1981)
  23. Moers, Ellen, "Literary Women" (1976), Oxford UP
  24. Paxton, Nancy L, "George Eliot and Herbert Spencer: Feminism, Evolutionism and the Reconstruction of Gender" (1991), Princeton UP
  25. Postlethwaite, Diana, "Of Maggie, Mother, Monsters, and Madonnas: Diving Deep in The Mill on the Floss", Woman Studies, 20(3), pp.303~319 (1992)
  26. Willey, Basil, "Nineteenth Century Studies: Coleridge to Matthew Arnold" (1966), Harper
  27. Woolf, Virginia, "A Room of One’s Own" (1929), Harcourt

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