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Dream Deferred or Dream Defeated?: Ann Petry’s The Street

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In The Street, Ann Petry closely examines African American women’s lives in urban areas. In the symbolic space like a jungle where white dominance and power are maintained, the main character, Lutie Johnson, attempts to escape dirty and dangerous Harlem. Due to the circumstances she is under, however, she is given slim chances, falling victim to white and black men who take advantage of her vulnerability. Petry adamantly critiques the male-dominant ideology and politics of American society that regard black women as an object of exploitation and sexual pleasure. Significantly, however, Petry also demonstrates that because of Lutie’s reckless embrace of ‘American Dream’ constructed by white Americans, she fails to achieve her dream. In an effort to solve her economic hardship, she is too obsessed with earning money to recognize, analyze, and interpret the system she is in. That is, she fails to formulate her own subjectivity. Petry examines the complex web of the social and cultural system that hinders African Americans as they attempt to survive the social injustice and double standard of American society. Writing in the vein of Wrightian naturalism, but rather than being occupied solely by environmental determinism, Petry well depicts black women’s struggle and the painful life in the city by blending the techniques of Modernism and Realism. That is the reason why she can be regarded as one of the black women writers with a strong voice who developed the tradition of African American literature.

Abstract

In The Street, Ann Petry closely examines African American women’s lives in urban areas. In the symbolic space like a jungle where white dominance and power are maintained, the main character, Lutie Johnson, attempts to escape dirty and dangerous Harlem. Due to the circumstances she is under, however, she is given slim chances, falling victim to white and black men who take advantage of her vulnerability. Petry adamantly critiques the male-dominant ideology and politics of American society that regard black women as an object of exploitation and sexual pleasure. Significantly, however, Petry also demonstrates that because of Lutie’s reckless embrace of ‘American Dream’ constructed by white Americans, she fails to achieve her dream. In an effort to solve her economic hardship, she is too obsessed with earning money to recognize, analyze, and interpret the system she is in. That is, she fails to formulate her own subjectivity. Petry examines the complex web of the social and cultural system that hinders African Americans as they attempt to survive the social injustice and double standard of American society. Writing in the vein of Wrightian naturalism, but rather than being occupied solely by environmental determinism, Petry well depicts black women’s struggle and the painful life in the city by blending the techniques of Modernism and Realism. That is the reason why she can be regarded as one of the black women writers with a strong voice who developed the tradition of African American literature.

참고문헌 (17)

  1. Barrett, Lindon, "(Further) Figures of Violence: ‘The Street’ in the American Landscape", Cultural Critique, 25, pp.205~237 (1993)
  2. Bhabha, Homi K., "The Location of Culture" (1994), Routledge
  3. Carby, Hazel V., "Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist" (1987), Oxford UP
  4. Clark, Keith, "A Distaff Dream Deferred? Ann Petry and the Art of Subversion", African American Review, 26, pp.495~505 (1992)
  5. Eby, Clare V., "Beyond Protest: ‘The Street’ as Humanitarian Narrative", MELUS, 33(1), pp.33~53 (2008)
  6. Griffin, Farah J., "Who Set You Flowin? : The African-American Migration Narrative" (1995), Oxford UP
  7. Günter, Lenz H., "Symbolic Space, Communal Rituals, and the Surreality of the Urban Ghetto: Harlem in Black Literature From the 1920s to the 1960s", Callaloo, 35, pp.309~345 (1988)
  8. Henderson, Carol E., "The ‘Walking Wounded’: Rethinking Black Women’s Identity in Ann Petry’s The Street", Modern Fiction Studies, 46, pp.849~867 (2000)
  9. Hicks, Heather, "‘This Strange Communion’: Surveillance and Spectatorship in Ann Petry’s ‘The Street’", African American Review, 37(1), pp.21~37 (2003)
  10. Holladay, Hilary, "Ann Petry" (1996), Twayne
  11. Hughes, Langston, "The Collected Poems of Langston Hughes" (1995), Vintage Classics
  12. Lattin, Vernon E., "Ann Petry and the American Dream", Black American Literature Forum, 12(2), pp.69~72 (1978)
  13. Park, You-me, "Native Daughters in the Promised Land: Gender, Race, and the Question of Separate Spheres", American Literature, 70(3), pp.607~633 (1998)
  14. Petry, Ann, "The Street" (1974), Houghton
  15. Scott, William, "Material Resistance and the Agency of the Body in Ann Petry’s The Street", American Literature, 78(1), pp.89~116 (2006)
  16. Shockley, Evie, "Buried Alive: Gothic Homelessness, Black Women’s Sexuality, and(Living) Death in Ann Petry’s The Street", African American Review, 40, pp.439~460 (2006)
  17. Yarborough, Richard, "The Quest for the American Dream in Three Afro-American Novels: If He Hollers Let Him Go, The Street, and Invisible Man", MELUS, 8(4), pp.33~59 (1981)

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