D. H. 로렌스 문학의 동물-되기 모티프와 공감적-초월적 커뮤니케이션
Becoming-animal Motif and Sympathetic-Transcendental Communication in Works of D. H. Lawrence
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This article examines and identifies the becoming- animal motif and sympathetic, transcendental interaction and communication in works of D. H. Lawrence centering on with some novels. There are a lot of scenes in Lawrence’s such novels where a primitive magical self and mysterious, transcendental consciousness appear in the interaction and communication between characters and animals as spontaneous nature which leads into blood- being or flesh-consciousness. Such kinds of being self, and consciousness, according to Lawrence, belong to a great half of darkness. Modern European civilization has lost and forgotten those aspects in the human beings, which results from over-oriented mental, intellectual consciousness that causes the destruction of the fundamental self from human beings. So modern people must restore the animality or otherness of the great half which is a primitive, and fundamental nature.
Abstract
This article examines and identifies the becoming- animal motif and sympathetic, transcendental interaction and communication in works of D. H. Lawrence centering on with some novels. There are a lot of scenes in Lawrence’s such novels where a primitive magical self and mysterious, transcendental consciousness appear in the interaction and communication between characters and animals as spontaneous nature which leads into blood- being or flesh-consciousness. Such kinds of being self, and consciousness, according to Lawrence, belong to a great half of darkness. Modern European civilization has lost and forgotten those aspects in the human beings, which results from over-oriented mental, intellectual consciousness that causes the destruction of the fundamental self from human beings. So modern people must restore the animality or otherness of the great half which is a primitive, and fundamental nature.
참고문헌 (22)
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- 양병택, "세계회고록대전집 15. 러셀" (1983), 수문서관