한국 드라마에 적용된 다카라즈카 가극(宝塚歌劇)의 무대분장연구

Abstract

Especially, as Takarazuka Revue(宝塚歌劇), which is one of Japan's performing arts, is the revue of representing Japan. As for a scope of research, the stage make-up was designed by putting a limitation on face in expressing the stage make-up of Takarazuka Revue. The results of this study are as follows. First, as make-up needs to change an actor in line with a situation or a case of being demanded by a script, and is what allows the audience or viewers to possibly understand a flow and contents of drama easily through the changed character, it could be divided into stage make-up and image make-up according to media. Second, examining the stage make-up of <The Legend(太王四神記)> in the Takarazuka Revue. Third, The make-up design was planned and produced by reviving a feature of each character based on this. As the above results of producing the make-up design, the aim was to contribute to exporting Hanryu(Korean wave) cultural products through the stage make-up of Takarazuka, which informs the character make-up method of Takarazuka Revue(宝塚歌劇) that was applied to Korea's historical drama, and which highlights a woman as a man's image. Through this study, A more effective method could be suggested in delivering character's image by designing character in each actor through applying a meaning of being given by color and a meaning of being given by line.