모시소재에 적합한 한국적 이미지의 의상디자인 개발에 대한 연구(제2보) - 고구려 시대 복식의 미적 특징을 적용하여 -
A Study on Costume Design Development of Korean Traditional Image Suitable for Ramie Fabric(Ⅱ) - Apply on Aesthetic Property of Goguryeo Era Clothing -
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The study aims to apply the aesthetic properties of costume in the Goguryeo era so that costume design with a Korean image appropriate to ramie fabric can be developed, and the combination and creation of completed costume design items can be suggested. The findings of the study are as follows. First, through an examination of the aesthetic characteristics of ramie fabric and the formal features of costume in the Goguryeo era, transparent, creased and stiff ramie fabric were found to have aesthetic characteristics in which traditional material can be modernly expressed. Based on formative features in the Goguryeo era, diversity of linear silhouette, linear detail and other details were discovered. In terms of the formal characteristics of costume in the Goguryeo era, if the costume is made with ramie fabric, its features can be better expressed, and the characteristics can be classified into initiative, flexibility and magnanimity. Second, costume design with a Korean image appropriate to ramie material to which the aesthetic characteristics of costume in the Goguryeo era are applied was developed and classified into ‘Initiative Group’, ‘Flexibility Group’ and ‘Magnanimity Group’. Target consumers are women in their 30s to 50s. Developed items number 15, and five types of costume such as tops, jackets, one-piece dresses, skirts and pants were designed based on the three groups. After developing the designs for 15 items, changes were made in color-blocking applied to 1 to 3 items each, and a total of 50 items were developed. Hansan ramie fabric was used, and white, grey and black were applied as the main colors. In terms of the details, hem line, pleats, tuck, color blocking, belt and strings were used. Third, with regard to the combination and display of completed costume design items within groups, a total of 8 cases including 3 cases in the Initiative Group, 2 cases in the Flexibility Group and 3 cases in the Magnanimity Group were suggested. A total of 16 cases of inter-group combination and display were suggested. The result of the study are expected to provide momentum that will bring us closer to popularizing, facilitating and globalizing costume with a Korean image and Korean traditional ramie fabric.
Abstract
The study aims to apply the aesthetic properties of costume in the Goguryeo era so that costume design with a Korean image appropriate to ramie fabric can be developed, and the combination and creation of completed costume design items can be suggested. The findings of the study are as follows. First, through an examination of the aesthetic characteristics of ramie fabric and the formal features of costume in the Goguryeo era, transparent, creased and stiff ramie fabric were found to have aesthetic characteristics in which traditional material can be modernly expressed. Based on formative features in the Goguryeo era, diversity of linear silhouette, linear detail and other details were discovered. In terms of the formal characteristics of costume in the Goguryeo era, if the costume is made with ramie fabric, its features can be better expressed, and the characteristics can be classified into initiative, flexibility and magnanimity. Second, costume design with a Korean image appropriate to ramie material to which the aesthetic characteristics of costume in the Goguryeo era are applied was developed and classified into ‘Initiative Group’, ‘Flexibility Group’ and ‘Magnanimity Group’. Target consumers are women in their 30s to 50s. Developed items number 15, and five types of costume such as tops, jackets, one-piece dresses, skirts and pants were designed based on the three groups. After developing the designs for 15 items, changes were made in color-blocking applied to 1 to 3 items each, and a total of 50 items were developed. Hansan ramie fabric was used, and white, grey and black were applied as the main colors. In terms of the details, hem line, pleats, tuck, color blocking, belt and strings were used. Third, with regard to the combination and display of completed costume design items within groups, a total of 8 cases including 3 cases in the Initiative Group, 2 cases in the Flexibility Group and 3 cases in the Magnanimity Group were suggested. A total of 16 cases of inter-group combination and display were suggested. The result of the study are expected to provide momentum that will bring us closer to popularizing, facilitating and globalizing costume with a Korean image and Korean traditional ramie fabric.
참고문헌 (19)
- 홍정화, "한산모시 방적사를 활용한 자카드직 직물디자인 개발 및 생활한복 디자인 개발", 박사, 패션디자인ㆍ산업, pp.2009
- 정인희, "모시를 활용한 니트소재 개발에 관한 연구", 박사, 디자인학, pp.2007
- 이미연, "모시 소재에 적합한 한국적 이미지의 의상디자인 개발에 대한 연구(제1보) - 고구려 시대 복식의 미적 특징을 적용하여 -", 복식문화연구, 16(1), pp.130~144 (2008), 복식문화학회
- 김흥진, "조선시대 백관복을 응용한 복식 디자인: 무관의 복식을 중심으로", 석사, 어패럴, pp.2003
- 박희정, "조선시대 궁중가례복식 중 왕비복을 응용한 현대복식DESIGN 연구 Ⅰ: 적의(翟衣)를 중심으로", 디자인포럼21, 4, pp.149~167 (2001)
- 박희정, "조선후기 기녀 복식을 응용한 현대 Fashion Design 연구", 석사, 의상디자인, pp.2002
- 유관순, "한국적 이미지를 중심으로 한 저마의 패션디자인 개발", 한복문화, 14(1), pp.19~30 (2011), 한복문화학회
- 이미란, "한국적 이미지를 응용한 의상 제작", 한복문화, 11(2), pp.103~114 (2008), 한복문화학회
- 정재철, "한국적 이미지를 활용한 항공사 여승무원 유니폼 디자인 연구", 한국패션디자인학회지, 12(1), pp.55~73 (2012), 한국패션디자인학회
- 최경희, "한국적 이미지의 경기용 수영복 디자인 개발에 관한 연구 ( I) -오방색과 태극문을 중심으로-", 복식, 53(2), pp.35~55 (2003), 한국복식학회
- 채금석, "한국적 이미지의 휴식복 개발 연구 (제1보)", 한국의류학회지, 35(8), pp.946~958 (2011), 한국의류학회
- 이민정, "한국적 이미지의 웨딩드레스 디자인 연구 - 이화문(梨花紋)과 당의(唐衣)이미지를 중심으로 -", 패션 비즈니스, 13(5), pp.23~36 (2009), 한국패션비즈니스학회
- 최정수, "조선시대 옷깃의 형태적 특성을 활용한 현대 의상디자인 연구", 석사, 의류학, pp.2005
- 황은영, "조선시대 길상어문을 응용한 현대 복식디자인 연구", 석사, 복식디자인, pp.2002
- 김태현, "조선시대 궁궐 단청이미지를 활용한 의상디자인 연구", 석사, 의상디자인, pp.2007
- 박재영, "조선시대 꽃창살 문양을 응용한 모피 패션디자인 연구", 석사, 의상디자인, pp.2010
- 유희경, "한국복식문화사", pp.50~ (1982), 교문사
- 백영자, "한국의 복식", pp.246~ (1996), 경춘사
- 전수경, "컴퓨터 그래픽스를 활용한 패션디자인 연구 : 캐포츠 신상품 개발 과정을 중심으로", 박사, 의류학, pp.2004
