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Dystopia in the Science Fiction Film: Blade Runner and Adorno's Critique of Modern Society

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Science fiction films touch coming-future themes, particularly those referring specifically to futuristic technology and its influence over human life. Dealing with the resistance of the replicants in the approaching millennium, Blade Runner brings the feat of modern civilization into doubt through the image of the dystopian future. In Blade Runner, a city is filled with waste, pollution, and dirt and a corrosive rain falls from the polluted clouds. Adorno criticizes contemporary society and its civilization. Characterizing advanced capitalist society by its total administration penetrating into every sphere of life, he contends that modern society promotes alienation, atomization, conformism, and fatalism. Blade Runner provides a chance to contemplate the problems of modern society, proposed by Adorno's critical works. Therefore, this paper attempts to analyze futuristic characteristics described in the film with Adorno's critique of modern society.

Abstract

Science fiction films touch coming-future themes, particularly those referring specifically to futuristic technology and its influence over human life. Dealing with the resistance of the replicants in the approaching millennium, Blade Runner brings the feat of modern civilization into doubt through the image of the dystopian future. In Blade Runner, a city is filled with waste, pollution, and dirt and a corrosive rain falls from the polluted clouds. Adorno criticizes contemporary society and its civilization. Characterizing advanced capitalist society by its total administration penetrating into every sphere of life, he contends that modern society promotes alienation, atomization, conformism, and fatalism. Blade Runner provides a chance to contemplate the problems of modern society, proposed by Adorno's critical works. Therefore, this paper attempts to analyze futuristic characteristics described in the film with Adorno's critique of modern society.

참고문헌 (15)

  1. John Cumming, "Theodor W. Adorno and Max Horkheimer argue that the problem of reification is to be connected not just to capitalism, but to the whole period of dominating nature in which capitalism is only the most recent manifestation; See Adorno and Horkheimer, Dialectic of Enlightenment", pp.43~119 (1972), Herder and Herder
  2. See M. Horkheimer, "Introducing the concept, "the authoritarian state," Max Horkheimer explains the attributes of administered society. For him, it is the whole mechanism constituting the institution that exists for the maintenance of the existing social system offered by modern capitalism", The Authoritarian State, 15(1), pp.3~24 (1973)
  3. Adorno, "Dialectic of Enlightenment", pp.133~ (1972), Herder and Herder
  4. G. Lukacs, "History and Class Consciousness" (1971), MIT Press
  5. T. Adorno, "Negative Dialectics" (1973), Continuum
  6. M. Jay, "Adorno" (1984), Harvard University Press
  7. G. Bluno, "Ramble City: Postmodernism and Blade Runner", 41(2), pp.60~78 (1987)
  8. J. H. Kavanagh, "Feminism, Humanism, and Science in Alien, In Alien Zone", pp.73~81 (1990), Verson
  9. M. Gwaltney, "Android as a Device for Reflection on Personhood, In Retrofitting Blade Runner", pp.32~39 (1990), Bowling Green State University Press
  10. Adorno, "Dialectic of Enlightenment", pp.28~ (1972), Herder and Herder
  11. G. Vattimo, "The Transparent Society" (1992), Johns Hopkins University Press
  12. L. F. Rakow, "Gendered Technology, Gendered Practice", Critical Studies in Mass Communication, 5(2), pp.57~70 (1988)
  13. M. Foucault, "Panopticism, In The Foucault Reader", pp.206~213 (1984), Pantheon Books
  14. M. Poster, "The Mode of Information: Poststructuralism and Social Context" (1990), The University of Chicago Press
  15. T. Adorno, "Negative Dialectics", pp.19~ (1973), Continuum

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