Adorno and Critical Perspectives on the Culture Industry and Film

키워드

참고문헌 (37)

1. Adorno, T. W., "Culture Industry Reconsidered, In The Culture Industry, Selected Essays on Mass Culture", pp.85~92 (1991), Routledge
2. Adorno, T. W., "Transparencies on Film, In The Culture Industry, Selected Essays on Mass Culture", pp.154~161 (1991), Routledge
3. Adorno, T. W., "On the Fetish Character in Music and the Regression of Listening, In The Essential Frankfurt School Reader", pp.270~299 (1982), Continuum
4. Adorno, T. W., "Television and the Pattern of Mass Culture, In Television: the Critical View", pp.239~259 (1976), Oxford University Press
5. Adorno, T. W., "Negative Dialectics" (1973), Continuum
6. Adorno, T. W., "Scientific Experience of a European Scholar in America, In The Intellectual Migration : Europe and America, 1930-1960", pp.338~370 (1969), Belknap Press of Harvard University
7. Adorno, T. W., "On Popular Culture", Studies in Philosophy and Social Science, 9, pp.17~48 (1941)
8. Adorno, T. W., "Dialectic of Enlightenment" (1972), Herder and Herder
9. Anderson, C., "Hollywood TV : the Studio System in the Fifties" (1994), University of Texas Press
10. Bottomore, T., "A Dictionary of Marxist Thought" (1983), Harvard University Press
11. Burt, R., "The Administration of Aesthetics" (1994), University of Minnesota Press
12. Curtin, M., "Bad Girls on the Bird : Feminine Desire in the Age of Satellite Television", 1~19 (1997)
13. Eisler, H., "Composing for the Films" (1947), Books for Libraries Press
14. Fejes, F., "Critical mass communication research and media effects : The problem of the disappearing audience", Culture and Society, 6, pp.219~232 (1984)
15. Feuer, J., "Genre Study and Television, In Channels of Discourse, Reassembled" (1992), University of North Carolina Press
16. Fiske, J., "Television : Polysemy and Popularity, In Critical Perspectives on Media and Society", pp.346~364 (1991), The Guilford Press
17. Hall, S., "Encoding, Decoding, In The Cultural Studies Reader", pp.90~103 (1993), Routledge
18. Horkheimer, M., "The Authoritarian State", Telos, 15, pp.3~24 (1973)
19. Jay, M., "Adorno" (1984), Harvard University Press
20. Klinger, B., "Digressions at the Cinema : Commodification and Reception in Mass Culture, In Modernity and Mass Culture", pp.117~134 (1991), Indiana University Press
21. Lukacs, G., "History and Class Consciousness" (1971), MIT Press
22. Lull, J., "The Freedom to Have Fun, In China Turned On: Television, Reform, and Resistance", pp.127~153 (1991), Routledge
23. Maltby, R., "Hollywood Cinema" (1995), Blackwell Publishers
24. Marx, K., "Capital I" (1976), Vintage Books
25. Marx, K., "Capital III" (1967), International Publishers
26. Morley, D., "Part 1 : Theoretical Frameworks. Television, Audience and Cultural Studies", pp.43~71 (1992), Routledge
27. Radway, J., "Reading the Romance" (1991), University of North Carolina Press
28. Ridless, R., "Ideology and Art" (1984), Peter Lang
29. Roberts, D., "Art and Enlightenment : Aesthetic Theory after Adorno" (1991), University of Nebraska Press
30. Rose, G., "Melancholy Science : An Introduction to the Thought of Theodor W. Adorno" (1978), Macmillan
31. Sarris, A., "The Primal Screen : Essays on Film and Related Subjects" (1973), Simon and Schuster
32. Sarris, A., "The American Cinema : Directors and Directions, 1929- 1968" (1968), Dutton
33. Smith, P., "Clint Eastwood : A Cultural Production" (1993), University of Minnesota Press
34. Tulloch, J., "Australian Cinema : Industry, Narrative, and Meaning" (1982), Allen & Unwin
35. Waldman, D., "Critical Theory and Film : Adorno and "The Culture Industry" Revisited", pp.39~60 (1977), New German Critique
36. Wasko, J., "The Political Economy of the American Film Industry", Media, Culture and Society, pp.135~153 (1981)
37. Zoonen, L. V., "A New Paradigm?, In Feminist Media Studies", pp.29~42 (1994), Sage

관련 논문AI추천