영화「건축학개론」의 스토리텔링 전략 연구
A Study on Storytelling Strategy of the movie Architecture 101
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The movie「 Architecture 101」is the content, that changes used motive ‘first love’and the existing story to unfamiliar and makes new story. Especially it creates the other new myth of ‘first love’through demythological strategy breaking mythological image, that the existing motive‘ first love’showed. The movie makes use of used materials in TV drama 「Winter Sonata」, that has become to myth of ‘first love’story, successfully completed renovation storytelling with reasonable and rational perspectives to win sympathy from viewers, live in the demythological age of 21C, and with detail aesthetics of revisiting the past through filming recollections of the 1990s. The narrative strategies of this movie are a framed structures, no mythological structure of existing contents such as a structure for immersion, and the method of objectively keeping distance from the object. The movie 「Architecture 101」changes idealized fantastic characters of first love in the TV drama 「Winter Sonata」to realistic characters with materialistic and commercial characteristic. This movie describes spaces, comparing loving relationship to house building, above all, tacitly criticizes recognition of the people, who only pursue phenomenistic spaces, while drawing logical space story from a realistic viewpoint. For all that, this movie delivers a fantasy of consolation to the audience through the process of the characters’s self-reflection and Seo- Yeon’s house building like space of the womb. House building in Jeju Island become a new mythological image with collective unconscious of the people for audiences, who also desire the fantasy in the demythological age. The demythological strategy demonstrates a fiction and uniformity of the myth and makes to interpret the reality, but the movie「 Architecutre 101」do not maintain this strategy and finds out a popular point of compromise. That is, the movie renovates mythological image using the demythological strategy, ironically takes out new fantasy. This is the limit of commercial movie, and the renovation storytelling strategy, the movie of today points at the same time.
Abstract
The movie「 Architecture 101」is the content, that changes used motive ‘first love’and the existing story to unfamiliar and makes new story. Especially it creates the other new myth of ‘first love’through demythological strategy breaking mythological image, that the existing motive‘ first love’showed. The movie makes use of used materials in TV drama 「Winter Sonata」, that has become to myth of ‘first love’story, successfully completed renovation storytelling with reasonable and rational perspectives to win sympathy from viewers, live in the demythological age of 21C, and with detail aesthetics of revisiting the past through filming recollections of the 1990s. The narrative strategies of this movie are a framed structures, no mythological structure of existing contents such as a structure for immersion, and the method of objectively keeping distance from the object. The movie 「Architecture 101」changes idealized fantastic characters of first love in the TV drama 「Winter Sonata」to realistic characters with materialistic and commercial characteristic. This movie describes spaces, comparing loving relationship to house building, above all, tacitly criticizes recognition of the people, who only pursue phenomenistic spaces, while drawing logical space story from a realistic viewpoint. For all that, this movie delivers a fantasy of consolation to the audience through the process of the characters’s self-reflection and Seo- Yeon’s house building like space of the womb. House building in Jeju Island become a new mythological image with collective unconscious of the people for audiences, who also desire the fantasy in the demythological age. The demythological strategy demonstrates a fiction and uniformity of the myth and makes to interpret the reality, but the movie「 Architecutre 101」do not maintain this strategy and finds out a popular point of compromise. That is, the movie renovates mythological image using the demythological strategy, ironically takes out new fantasy. This is the limit of commercial movie, and the renovation storytelling strategy, the movie of today points at the same time.
참고문헌 (18)
- 구성회, "건축학개론기억의공간" (2013), 북하우스
- 김모란, "성·사랑·혼인, In 가족과한국사회", pp.129~165 (1995), 경문사
- 김미현, "연애부터 연애까지 - 해방 이후의 연애소설", 문학과 사회, 14(53), pp.167~183 (2001), 문학과지성사
- 김영순, "겨울연가, 콘텐츠와 콘텍스트 사이" (2005), 다할미디어
- 김준선, "한국 액자소설 연구 : 서술상황과 담론 특성을 중심으로", 박사, 국어국문학, pp.2001
- 김희경, "흥행의재구성" (2005), 지안출판사
- 백승국, "드라마 <겨울연가>내러티브의 기호학적 분석", 텍스트언어학, (18), pp.59~90 (2005), 한국텍스트언어학회
- 이영애, "김동인 액자소설의 담론적 특성", 석사, 교육콘텐츠학, pp.2010
- 이재선, "액자소설의원질과그계승", 한국단편소설연구 (1972), 일조각
- 장재진, "액자 소설의 담화 구조 연구 : 김동인, 김동리, 이청준 소설의 서사적 틀짜기", 석사, 국어국문학, pp.2001
- 정다훈, "유럽문명의 세 얼굴: 미토스, 파토스, 로고스", 인문학연구, 16, pp.43~70 (2012), 관동대학교 인문과학연구소
- 진선영, "한국 대중연애서사의 이데올로기와 미학", 박사, 국어국문학, pp.2011
- 서명수, "공간과 도시의 의미들" (2004), 소명출판
- 최혜실, "한류 드라마의 스토리텔링" (2007), 새문사
- 가스똥바슐라르, "물과꿈" (1980), 문예출판사
- 가스똥바슐라르, "공간의시학" (2003), 동문선
- 나카노하지무, "공간과인간" (1999), 도서출판국제
- 이기숙, "인간과 공간" (2011), 에코리브르
