이호철 소설의 분단 인식 연구
The Study of Lee Ho-cheol’novels on the Division of the Korean peninsula
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This study was written to examine the worth of Lee, Ho-cheol’s literature under the division of the Korean peninsula. The subject of this study was limited to the novels based on the division of our nation. The tragedy of division drive our national spirit and culture into the state of separation. Today, the regional division of the Korean peninsula broke our nation in half in various aspects—in our feelings, our ideas, our senses of value, etc. Regardless of region (North of South) and ideology (Socialism of Democratism), we must retrieve our national homogeneity. Because it is the best way to accomplish the reunification of North and South Korea and to embody a real humanism. Lee, Ho-cheol has been writing novels on the subject of national homogeneity. His novels show a distinguishing structure of ‘antagonism and reconciliation.’In the introduction of story, the characters of his novel are always in opposition with a consciousness of hostility. But they show an ultimate reconciliation in the end though the enhancement of mutual understanding. And this structure has a feature expanding with the passage of time. In Lee, Ho-cheol’ early works, the structure of‘antagonism and reconciliation’showed itself in the brotherhood or the connection with friends. For instance, in “A nude figure”(1956),‘Chil-sung’disregarded his elder brother but the brothers shared love and reconciliation with each other in the end through the Korean War. As a result of this study, I could grasp the intention to achieve our national reconciliation and the effort to enhance our human love and understanding in Lee, Ho-cheol’s novels. This steady effort in his literature is a worthy message to the younger generation which did not go through the trauma of the Korean War, and simultaneously an opportunity of reflection to the older generation which has a delusion of persecution and a‘Red-complex.’ At the same time, Lee, Ho-cheol’s literature has the defect that it occasionally depends on sentimental feelings and overlapping theme.
Abstract
This study was written to examine the worth of Lee, Ho-cheol’s literature under the division of the Korean peninsula. The subject of this study was limited to the novels based on the division of our nation. The tragedy of division drive our national spirit and culture into the state of separation. Today, the regional division of the Korean peninsula broke our nation in half in various aspects—in our feelings, our ideas, our senses of value, etc. Regardless of region (North of South) and ideology (Socialism of Democratism), we must retrieve our national homogeneity. Because it is the best way to accomplish the reunification of North and South Korea and to embody a real humanism. Lee, Ho-cheol has been writing novels on the subject of national homogeneity. His novels show a distinguishing structure of ‘antagonism and reconciliation.’In the introduction of story, the characters of his novel are always in opposition with a consciousness of hostility. But they show an ultimate reconciliation in the end though the enhancement of mutual understanding. And this structure has a feature expanding with the passage of time. In Lee, Ho-cheol’ early works, the structure of‘antagonism and reconciliation’showed itself in the brotherhood or the connection with friends. For instance, in “A nude figure”(1956),‘Chil-sung’disregarded his elder brother but the brothers shared love and reconciliation with each other in the end through the Korean War. As a result of this study, I could grasp the intention to achieve our national reconciliation and the effort to enhance our human love and understanding in Lee, Ho-cheol’s novels. This steady effort in his literature is a worthy message to the younger generation which did not go through the trauma of the Korean War, and simultaneously an opportunity of reflection to the older generation which has a delusion of persecution and a‘Red-complex.’ At the same time, Lee, Ho-cheol’s literature has the defect that it occasionally depends on sentimental feelings and overlapping theme.
참고문헌 (13)
- 이호철, "판문점(한국현대문학전집 30)" (1981), 삼성출판사
- 이호철, "탈향(한국현대문학전집 30)" (1981), 삼성출판사
- 이호철, "세 원형 소묘" (1983), 실천문학
- 이호철, "칠흑 어둠속 질주, 이호철 전집3, 무너 앉는 소리" (1988), 청계연구소
- 구중서, "분단시대의 문학", pp.92~105 (1981), 전예원
- 구중서, "야성적 낭만과 통일론(물은 흘러서 강)", pp.305~ (1984), 창작과비평사
- 김윤식, "한국문학과 이산 분단의 체험(이산·분단문학 대표소설선)", pp.506~ (1983), 동아일보사
- 백낙청, "작가와 소시민(문)", pp.335~ (1981), 믿음사
- 이재선, "분단과 전쟁의 상상력", pp.266~ (1987), 소설문학
- 이호철, "분단극복의지와 통일문학", pp.156~ (1986), 북한
- 임헌영, "분단시대 소시민의 거울(빈 골짜기)", pp.447~, 청계연구소
- 정호웅, "분단 극복의 새로운 넘어섬을 위하여", pp.346~ (1986), 한국문학
- 조남현, "우리 소설의 넓이와 깊이", pp.288~ (1988), 문학정신
