김수영 시에 나타난 ‘시선의 기술’의 전개 양상-근대적 ‘ 피로/우울’, ‘ 휴식’과의 상관성을 중심으로
Unfolding of the ‘Elaboration of Perspectives’ that Appears in the Poem of Kim Soo-young
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The poem written by Kim Soo-young is the result of much deliberation of transforming the elaboration of perspectives learned in modern life to the elaboration of love/revolution and the elaboration of writing poetry. This process is not a one-directional advancement, but is in the mode of a complex and irregular movement. The elaborations of Kim Soo-young’s perspectives unfolds by switching from the visual delusion techniques, which is the order of modern urban life, and ‘seeing perspectives’ that sagaciously looks squarely at objects, life and the world. The side effects of visual delusion and the slump of seeing perspectives is imprinted by the physical and mental fatigue and depression of the ‘seeing object’, and the longing for rest. Kim Soo-young comes up with the “technique of opening and closing eyes” in response to the fatigue and depression and provides the turning point for changing visual delusion to seeing perspectives. Kim Soo-young’s elaboration of perspectives undergoes selfrenewal through the ‘technique of opening and closing eyes’, and it changes and expands to inspiration, which is a perspectives beyond perspectives, and a perspectives that embodies all senses. The ‘instance of perspectives’ where all existence becomes an eye and opens, can be said to be the most evolved form of the elaboration of perspectives. This is the point of ‘seeing without being deceived’ the modern abyss, which was compared to ‘darkness’, ‘abyss’ and ‘gods’, and the point of returning to the world of modern life holding fast to such perspectives. By persevering through this division-balance, Kim Soo-young’s elaboration of perspectives develops into a pan-sensual dimension that interacts with the senses of feeling and hearing and it contributes in the modifying and complimenting of the modern paradigm focused on perspectives. This was the secret behind the success of changing Kim Soo-young’s ‘elaboration of perspectives’ to the ‘elaboration of love’ and ‘elaboration of revolution’.
Abstract
The poem written by Kim Soo-young is the result of much deliberation of transforming the elaboration of perspectives learned in modern life to the elaboration of love/revolution and the elaboration of writing poetry. This process is not a one-directional advancement, but is in the mode of a complex and irregular movement. The elaborations of Kim Soo-young’s perspectives unfolds by switching from the visual delusion techniques, which is the order of modern urban life, and ‘seeing perspectives’ that sagaciously looks squarely at objects, life and the world. The side effects of visual delusion and the slump of seeing perspectives is imprinted by the physical and mental fatigue and depression of the ‘seeing object’, and the longing for rest. Kim Soo-young comes up with the “technique of opening and closing eyes” in response to the fatigue and depression and provides the turning point for changing visual delusion to seeing perspectives. Kim Soo-young’s elaboration of perspectives undergoes selfrenewal through the ‘technique of opening and closing eyes’, and it changes and expands to inspiration, which is a perspectives beyond perspectives, and a perspectives that embodies all senses. The ‘instance of perspectives’ where all existence becomes an eye and opens, can be said to be the most evolved form of the elaboration of perspectives. This is the point of ‘seeing without being deceived’ the modern abyss, which was compared to ‘darkness’, ‘abyss’ and ‘gods’, and the point of returning to the world of modern life holding fast to such perspectives. By persevering through this division-balance, Kim Soo-young’s elaboration of perspectives develops into a pan-sensual dimension that interacts with the senses of feeling and hearing and it contributes in the modifying and complimenting of the modern paradigm focused on perspectives. This was the secret behind the success of changing Kim Soo-young’s ‘elaboration of perspectives’ to the ‘elaboration of love’ and ‘elaboration of revolution’.
참고문헌 (12)
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