강성은 시에서 ‘타자’와 ‘환상’을 형상화하는 색채 이미지의 양상 연구 - 시집 『구두를 신고 잠이 들었다』를 중심으로

Abstract

This paper examined the color image in Kang Sungeun’s poetry collection, I fell asleep wearing shoes and tried to analyze the method of embodying of the ‘other’ and ‘fantasy’ of her poems. In poetry since the 2000s, ‘other’ and ‘fantasy’ can be said to be very important elements and covers, and Kang Sungeun’s poem actively expressed this and seemed to embody it in his own way. In her poem, the ‘other’ was submitted as ‘black’ and the ‘fantasy’ was submitted as ‘white’. The ‘other’ presented the other and minority existence in three dimensions by structurally embodying the perpetration, sadism, majority and damage, deposition, and minority through the ‘black’ image. ‘Fantasy’ was presented through the ‘white’ image, symbolizing mystery, fantasy, and unreality in the reality of the poem or driving it. In particular, it was noted that ‘fantasy’ forms the order of poetry, and ‘other’ is represented in reality, such as the “white” image preceded and the ‘black’ image followed. The utility that can be obtained by examining the color image that appears in Kang Sungeun’s poem can be summarized as follows. First, it is the fact that the ‘color’ image is an excellent material for embodying the value, meaning, subject, and problem consciousness that the poet desires. Although color does not create meaning by itself, it works easily to evoke the emotions of humans and subjects, inspire consciousness, and expand the subject. Second, ‘other’ and ‘fantasy’ are great and powerful signs of poetry since the 2000s, and through these, it was thought that if the poet was genealogized and made meaningful after the 2000s, it would be possible to examine the poet’s aspect and signs more effectively. Third, Kang Sungeun’s paper on poetry has been fragmented and partially conducted, and this paper helped establish an opportunity for Kang Sungeun’s poetry paper and post-2000s poetry paper.