1980년대 소극장 극작술 연구 -공간 소극장 ‘사랑’의 <1980년5월>을 중심으로-

Abstract

This paper examines the playwriting method created by the interaction between the socio-cultural and technical conditions of plays produced in small theaters in the 1980s and the dramatic imagination. This paper described Oh Tae -seok’s <May 1980>, created in 1980, based on his performance in “Gonggan’s Sarang.” This paper was described based on published plays and review records described culturally by professional theater audiences of the time. Through this, the theater, stage, and audience response were reviewed to consider playwriting. <May 1980> attempted a surreal theatrical aesthetics by breaking down a dramatic welcome using the structure of a stage with a variable structure of “Gonggan’s Sarang” and a small theater with a cramped and cramped audience. The social culture and technical conditions of the 1980s were important factors that created the dramatic illusion of this work. This work delicately dealt with the social atmosphere just before May 1980, so that the audience could be immersed in reality and recognize reality. This is possible because this work is performed through collaboration with various performance culture creators and young theater companies through the theater “Gonggan’s Sarang.” In May 1980, performed by the theater company “76,” you can see group unconsciousness such as anxiety and fear in May 1980, which was delicately reflected. Based on the above, this paper examined the aesthetic characteristics of the playwriting method of small theater creative plays in the 1980s.