연극문화 공간 대학로를 텍스트로 독해하기 -1980년대 『한국연극』에 반영된 ‘소극장·공연법·문예회관·문화거리’ 구성 담론을 중심으로

Abstract

This paper borrowed the concept of defining a specific space as a 'machine' and read the 'Daehak-ro' space as a theater culture city-text. This paper is an read of the cultural space ‘Daehak-ro’, which has the meaning of a street of drama and a cultural city. This college road was established as a cultural street in the 1980s. This cultural space was the place where cultural policy was practiced in the 1980s. Interestingly, theater and cities, theaters and cities became important mediators under the rule of a dictatorship. This paper analyzes the historical space of the cultural space ‘Daehakro’ where cultural policy could be practiced in the 1980s. The data based on this paper is the discourse and record of small theater in Hangug-yeongeug(Korean theater magazine) in the 1980s. As a result of analyzing the discourse of small theater in the 1980s, I confirmed the characteristics of the cultural space of this era and the contents that formed the identity of the theater culture and the social group of the theater. In this paper, I describe the history of the hegemony composition of the theater association. They were a social group who tried to practice the meaning and value of theater based on the accumulated experience of theater centered on small theater. They reconstructed the identity and hegemony of the theater social group as a result of cultural policy in the 1980s. This paper describes the historical correlation between the social group, a theater group that actively participated in the realization of the cultural policy of the government, and the creation of a cultural city space Daehak-ro.